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The bibliographic record is provided by 李玉珉老師.
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Provenance, Patronage, and Desire: Northern Wei Sculpture from Shaanxi Province |
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| Author |
Abe, Stanley K. (著)
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| Source |
Ars Orientalis
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| Volume | v.31 |
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| Date | 2001 |
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| Pages | 1 - 30 |
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| Publisher | Freer Gallery of Art, The Smithsonian Institution and Department of the History of Art, University of Michigan |
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| Location | Michigan, US [密西根州, 美國] |
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| Content type | 期刊論文=Journal Article |
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| Language | 英文=English |
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| Keyword | 供養; 祈願 |
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| Abstract | Northern Wei sculpture from Shaanxi province was produced for a variety of functions and religious purposes by patrons organized in different forms and representing a range of social classes. While past studies of Northern Wei sculpture have often been guided by a spatial model that is oriented along a metropolitan/ provincial divide, this essay proposes an alternative approach which assumes that differences of provenance are modulated by the function of the work, the social class and political position of the patrons, the organizational form of the patronage, as well as religious and political motivations. Finally, the training and assumptions that scholars bring to their studies guide what kinds of questions may be (and may not be) asked in our work, and these in turn structure and limit the type of conclusions that may be drawn. Ultimately, an awareness of our own historical and subjective relation to the materials we study offers us the possibility of understanding why we choose to pursue certain lines of research to the exclusion of others. |
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| Table of contents | BUDDHIST SCULPTURE 3
DRESS, ETHNICITY, AND CLASS 8
DAOIST SCULPTURE 9
THE NANGUAN FU SHRINE 13
THE FENG SHENYU STELE 15
THE WANG YI IMAGE 17
THE YAO BODUO STELE 18
THREE COMMON-CLASS WORKS 20
PATRONAGE AND FUNCTION 22
DESIRE 24
Notes 26
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| ISSN | 05711371 (P) |
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| Categories | 雕塑造像 |
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| Dynasty | 南北朝-北朝-北魏 |
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| Regions | 陝西 |
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| Hits | 162 |
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| Created date | 2016.05.12 |
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| Modified date | 2022.03.23 |
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