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The bibliographic record is provided by 李玉珉老師.
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敦煌與阿姆河流派美術圖案紋樣比較研究=Comparative Studies of the Art of Dunhuang and the Oxus River School |
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| Author |
劉波
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.65) |
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| Date | 2000.08 |
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| Pages | 25 - 36 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 西方影響 |
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| Abstract | 敦煌藝術中的裝飾紋樣分為植物紋樣、動物紋樣和幾何紋樣三大類。本文通過對敦煌聯珠紋、忍冬紋、棕■紋、莨苕紋、桃形紋、北魏刺繡以及立獸等圖像和阿姆河流派藝術的比較，討論了敦煌美術裝飾圖案中的外來影響問題。敦煌的裝飾和紋樣，無論從外部傳人，或者從中原流出，均受各種因素的影響而發生了不同程度的變化。
The decorative pattern in Dunhuang art can be classified into three categories: plant pattern, animal pattern, and geometry pattern. They are primarily designs of lotus, pomegranate camellia , flower clusters, whirling lines, rhombus, square, cloud, hanging horn,. circular chain with pears, swan, phoenix with flower in the bead, .parrot peacock, pigeon, kalavinka and the seated lion, etc. Comparing these decorative pattern and embroideries of the Northern Wei Dynasty found in Dunhuang with those of the Oxus Oxus River School, author thinks that arts of Dunhuang and Cental Asia, especially the Oxus River Basin have a direct or indirecrt tie
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| ISSN | 10004106 (P) |
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| Categories | 裝飾圖案 |
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| Dynasty | 中國-無 |
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| Regions | 甘肅(敦煌莫高窟); 印度(不詳) |
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| Hits | 308 |
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| Created date | 2016.05.12 |
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| Modified date | 2018.02.05 |
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