The bibliographic record is provided by 李玉珉老師.
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石室札記=Reading Notes on the Stone House |
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| Author |
賀世哲
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.4 (總號=n.62) |
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| Date | 1999.11 |
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| Pages | 50 - 55 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 李賢; 伏羲; 女媧 |
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| Abstract | 通過對北周２９０窟中心塔柱西向龕下部中央畫“胡人馴馬圖”及該窟供養人畫像的分析，結合正史記載，推測２９０窟窟主可能為北周保定二年至保定四年（５６２－５６４)任瓜州刺史的李賢。而西魏２８５窟窟頂的伏羲女媧像，則是佛教借用中國神話傳說中的英雄人物圖像，是將中國傳統文化與外來佛教文化相互融合而產生的混合創世說，以圖象的形式進行了嚴謹優美的表現。２８５窟窟頂的伏羲女蝸像，其定名應為“寶應聲（伏羲)”“寶吉祥（女媧)”二菩薩。其出現在２８５窟，與當時任瓜州刺史的東陽王元榮及佛教偽經《須彌四域經》的流傳有關。
Through analysis of portraits of donors and painting"foreigner Training Hores"from west side ofbase of square column of Cave 290 of the Northem Zhou and according to official history books, thepresent paper has made an inference that the master of the cave might be Li Xian, the prefecturalgovernor of Guazhou from the second to foruth year of Baoding of the Northern Zhou. The painting ofFuxi and Nuwa on the ceiling of cave 285 of the Western Wei were Painted as figures of heroes from Chinese mythology. It is a rigoraus expression of mixed genesis which was born of the mixture of Chinese traditional culture and foreign Buddhist culture. The figures of Fuxi and Nuwa on the ceiling ofCave 285 should be named Bodhisattvas of Bao - ying - sheng and Bao-ji-xiang separately. Theiremergence in cave 285 related to Yuan Rong a governor of Guazhou and the spread of Buddhist forgery" Sumeru-si-yu-jing" |
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| ISSN | 10004106 (P) |
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| Categories | 其他宗教圖像 |
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| Dynasty | 唐代 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 307 |
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| Created date | 2016.05.12 |
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| Modified date | 2018.02.01 |
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