The bibliographic record is provided by 李玉珉老師.
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| Author |
沈柏村
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| Source |
東南文化=Southeast Culture
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| Volume | n.2 (總號=n.116) |
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| Date | 1997 |
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| Pages | 64 - 75 |
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| Publisher | 東南文化雜誌社 |
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| Location | 南京, 中國 [Nanjing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：湖南省博物館 |
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| Keyword | 唐代=The Tang Dynasty; 佛教=Buddhism; 舍利容器; 紋飾 |
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| Abstract | 唐代佛教文化鼎盛，佛教舍利容器紋飾內容複雜、題材多樣，展示出印度與中國兩種各具特色的紋飾圖案「共冶一爐」的文化現象，既是佛教藝術中國化過程的縮影，也是印度佛教文化與中國傳統文化在工藝美術和哲學觀念領域交流融合、相互影響的實證。
During the Tang dynasty, Buddhism was at its prime time in China, and all sorts of containers for Buddhists' relics varied in different styles and complicated patterns of decorations, which showed both Indian and Chinese cultural characteristics in them. This kind of cultural phenomenon was at the same time a miniature of the Buddhist art absorbed in the Chinese culture, and another case in point is the interaction and mutual-influence between the Indian Buddhist culture and traditional Chinese culture in the area of arts and crafts as well as philosophical ideas. |
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| Table of contents | 一、發現概述 64
二、紋飾種類 66
三、佛教人物圖案及其文化内涵 66
(一) 諸佛菩薩及其眷屬 66
(二) 金剛護法 69
四、動物紋飾圖案及其文化内涵 70
五、植物紋飾圖案及其文化内涵 73
六、佛教法器紋飾及其文化内涵 73 |
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| ISSN | 1001179X (P) |
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| Categories | 舍利容器 |
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| Dynasty | 唐代 |
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| Regions | 中國 |
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| Hits | 311 |
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| Created date | 2016.05.12 |
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| Modified date | 2020.02.21 |
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