The bibliographic record is provided by 李玉珉老師.
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武威博物館藏喜金剛與大黑天金銅像考=Hevajra Mahakala:A pair of Tantric gilt bronze Buddhist images from Wuwei Museum Gansu |
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| Author |
韋陀
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常紅紅
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.1 (總號=n.125) |
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| Date | 2011.02 |
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| Pages | 21 - 29 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為倫敦大學亞非學院教授 |
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| Keyword | 藏傳佛教; 密教; 喜金剛; 大黑天=Mahākāla; 漢藏交流 |
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| Abstract | 論文通過對武威博物館藏的喜金剛與大黑天金銅造像特征及其背景的分析,并對照敦煌第465窟及相關造像義理與風格,否定了這組塑像制作于明代說,其制作之地極可能是在13世紀中期的西藏,并證實了它們在漢藏關系史上的重要意義:武威塑像似乎與薩迦班智達和八思巴有著密切關系,薩班極有可能在舉行喜金剛壇城儀軌時使用過這組金銅佛像。
Having analyzed the iconographic features and social context of the gilt-bronze images of Havaira and Mahākāla collected in Wuwei Museum,this article,making a comparison with the style and composition of murals of Cave 465 Mogao Grottoes,got a conclusion that the pair of statues seems to be produced in mid-thirteenth century’s Tibet instead of it being made in the Ming Dynasty.The author thinks that the pair of statues have a very important meaning in the history of relationship between Han-Chinese and Tibetan,which appears to have a closer relation with Tibetan monk Sa-skya Pandita and ’phags-pa.On which the author found a conjecture that Sa-skya Pandita had used them as Yi-dam deities at the Hevajra rituals. |
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| ISSN | 10004106 (P) |
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| Dynasty | 明代 |
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| Regions | 甘肅(敦煌莫高窟,武威) |
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| Hits | 442 |
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| Created date | 2016.05.12 |
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| Modified date | 2022.03.11 |
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