The bibliographic record is provided by 李玉珉老師.
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雲南石窟與摩崖造像藝術=Yunnan Grottoes and Bas-reliefs on Precipices |
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| Author |
劉長久 (著)=Liu, Chang-jiu (au.)
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| Source |
思想戰線=Thinking
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| Volume | v.27 n.1 |
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| Date | 2001 |
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| Pages | 112 - 117 |
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| Publisher | 雲南大學思想戰線編輯部 |
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| Publisher Url |
http://www.sxzx.ynu.edu.cn/
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| Location | 昆明, 中國 [Kunming, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：四川省社會科學院哲學文化研究所 |
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| Keyword | 雲南石窟=Yunnan grottoes; 摩崖造像=bas-reliefs on precipices; 浮雕手法=relief sculpture technique; 文化藝術價值=cultural and artistic value |
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| Abstract | 雲南石窟隨著佛教的傳入而蓬勃興起，以劍川石鐘山石窟沙登箐區第一號阿彌陀佛像方座正面為證，雲南石窟摩崖造像最早應出現在南詔豐佑時代，它開創於中晚唐，綿延於明清。其雕刻手法大致有五種：一是以高浮雕作為整體造型的基本手法，而細部和衣紋皺折則用陰線刻；二是主尊佛像採用高浮雕，而二脅侍則採用淺浮雕手法；三是純粹採用薄肉雕，輔之以陰線刻；四是採用減地平線及或剔地起突的浮雕手法；五是純粹採用陰線刻。採用圓雕者極少。過去，由於對雲南石窟與摩崖造像研究和宣傳不夠，致使在中國石窟藝術史上沒有給予它應有的地位。因此，有必要進行系統、完整、深入的研究，讓這塊滇文化瑰寶重放光華。
Yunnan grottoes flourished along with the introduction of Buddhism into the Province. The earliest grottoes and bas-reliefs on precipices of Yunnan appeared in Fengyou Time of Nanzhao Kingdom, which was proved by the creation of the front of the square base for No.1 Amitabha Statue in Shadingqing, Shizhongshan, Jianchuan county. The creation started in late Tang Dynasty and enjoyed further development in the Ming and Qing Dynasties. The engraving demonstrated five unique techniques. In the past, insufficient research and propaganda brought about the poor situation of Yunnan grottoes and bas-reliefs on precipices in China's history of grotto arts. Further development in this domain requires systematic and thorough research work. |
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| Table of contents | 一 112
二 114
佛教題材 114
“本主崇拜”題材 116
道教題材 116
南詔時期 117
大理國時期 117
明清時期 117 |
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| ISSN | 1001778X (P) |
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| Dynasty | 明代 |
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| Regions | 雲南(劍川石鐘山石窟,) |
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| Hits | 296 |
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| Created date | 2016.05.12 |
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| Modified date | 2020.04.21 |
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