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瞿曇寺瞿曇殿圖像程序溯源=The Origins of The Iconographic Program of The Wall Paintings in Qutan Hall of Qutan Monastery
Author 廖旸
Source 故宮博物院院刊=Palace Museum Journal
Volumen.6
Date2012
Pages96 - 121
Publisher紫禁城出版社
Publisher Url http://www.culturefc.cn/index/product.jhtml?act=index
Location北京, 中國 [Beijing, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Keyword瞿曇殿; 元大都; 皇家寺院; 華嚴宗; 藏傳佛教
Abstract青海樂都瞿曇寺瞿曇殿是河湟洮岷地區在明初營建并繪塑的一座藏傳佛教殿堂,規模不大但布局周密,顯示出它背后存在著強大而成熟的文化傳統。其雙五部圖像對置及與善財童子五十三參圖相結合的圖像程序,可以追溯到元大都的皇家寺院,顯示出漢藏文化交融中華嚴宗發揮了特殊影響。而從皇都到深山,藏僧朝禮圣地五臺山道路上的太原可能起到了居間的紐帶作用,地方性的政治文化中心值得關注。

Qutan Hall,a Tibetan Buddhist temple standing around the Hehuang and Taomin region,was built inside Qutan Monastery of Ledu county,Qinghai Province at the beginning of the Ming Dynasty.The moderate but elaborate layout of the hall marks the ever influential and mature cultural heritage it was built upon in history.The main iconographic program----two sets of five deities from five families that are kept opposite to each other on either sidewall,and the images of Sudhana Visiting The Various Spiritual Guides----can trace back to the royal monasteries in Dadu(now Beijing) of the Yuan Dynasty,which suggests the Huayan School of the Buddhism played an unusual role in the cultural exchanges between the Han and Tibetan Chinese.The paper holds that,when it comes to the origins of the wall paintings inside here,much importance should be attached to the local centers of politics and culture with the city of Taiyuan as an example,which stands along the pilgrimage for Tibetan monks to Mount Wutai to connect the imperial capital and a remote monastery like Qutan Monastery.
Table of contents一、瞿曇殿簡介 96
二、早期藏傳佛教藝術中的善財故事壁畫 : 塔布寺集會殿 99
三、衛藏與善財童子五十三參圖 105
四、《元代畫塑記》記載中的蛛絲馬跡 106
五、華嚴宗原釋源宗主 : 寶集寺與白馬寺系華嚴僧人與皇家寺院 110
六、地方與中心之間的紐帶 : 明初的太原崇善寺 116
結語 121
ISSN04527402 (P); 04527402 (E)
Categories佛教圖像; 繪畫
Dynasty明代
Regions青海(樂都瞿曇寺); 山西(太原崇善寺)
Hits262
Created date2016.05.12
Modified date2019.09.20



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