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The bibliographic record is provided by 李玉珉老師.
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莫高窟第465窟曼荼羅再考=A More Iconographic Study of The Frescoes in Cave 465 of Mogao Grottoes |
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| Author |
阮麗
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| Source |
故宮博物院院刊=Palace Museum Journal
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| Volume | n.4 |
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| Date | 2013 |
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| Pages | 61 - 85 |
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| Publisher | 紫禁城出版社 |
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| Publisher Url |
http://www.culturefc.cn/index/product.jhtml?act=index
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| Location | 北京, 中國 [Beijing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 上樂金剛曼荼羅; 喜金剛; 噶舉派; 金剛亥母; 藏傳佛教; 密教; 曼荼羅=Maṇḍala |
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| Abstract | 莫高窟第465窟是以無上瑜伽部密教圖像為主要題材的洞窟,長期以來倍受學者的關注,關于洞窟內容以及所屬部派等問題曾有過多方探討,但還有一些問題亟待解決。作者通過對本尊像及其眷屬身份的辨識,發現洞窟主題應是上樂金剛,中心土壇的五層圓輪結構亦是上樂金剛壇城,因此其主尊只可能是上樂金剛或金剛亥母,又以金剛亥母的可能性為大。整體上講,第465窟是以金剛亥母為中心,并配有幾種本尊而形成的一個曼荼羅,在圖像上屬噶舉派傳承。
The frescoes in Cave 465 of Mogao Grottoes,which illustrate the Upper Tantra as the main theme,have been for a long time the concerns of the scholars.Judging from the deities and their attendants present at the occasion,it is viewed by the author that the subject of the painting is Cakrasamvara,the fivestoried round-wheel structure in the central earth altar is the Mandala(dkyil-vkhor)for him.So accordingly,the most honored Buddha in here is considered to be no other than Cakrasamvara,or more probably,to be Vajravārāhīmore.The representation of the paintings,with the characteristics of the Garyu Sect,broadly centers on Vajravārāhī who is accompanied by several Satyadevata together. |
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| Table of contents | 一、壁畫中幾鋪雙身像身份的確認 62
二、壁畫的主題 66
(一)上樂金剛62尊曼荼羅結構 67
(二)各壁本尊像及其周圍眷屬尊的辨識 69
三、圖像傳承是薩迦派還是噶舉派 78
四、窟室壁畫的尊神佈局與觀想次第 82
五、中心主壇的推測 84
六、結語 85 |
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| ISSN | 04527402 (P); 04527402 (E) |
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| Dynasty | 元代 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 194 |
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| Created date | 2016.05.12 |
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| Modified date | 2019.09.23 |
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