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藏傳佛教金剛法舞面具的製作、分類及其宗教內涵之研究=The Making,Classification and Religious Connotation of Tibetan Buddhism Jingang Fa Dance Masks
Author 才讓 (著)=Cai, Rang (au.)
Source 西北民族研究=Northwest ethno-national studies
Volumen.2 (總號=n.69)
Date2011
Pages21 - 33, 213, 2
Publisher西北民族大學《西北民族研究》編輯部
Publisher Url http://www.xbmu.edu.cn/frontIndex.action?siteId=1
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note西北民族大學歷史文化學院海外民族文獻研究所
Keyword金剛法舞=Jinggang Fa dance; 面具=mask; 宗教內涵=religious connotation; 制作=making
Abstract藏傳佛教金剛法舞面具有獨特的制作工藝,根據所代表的角色,法舞面具大致可分為四類,而數量最多和最主要的是護法神面具。每一法舞面具的制作是仿照了其所代表的密宗神像的面部,面具的造型同樣含有各種象征意義,表達了豐富的密宗文化內涵,法舞面具是一種象征符號。

ade by special crafts,Tibetan Buddhism Jingang Fa dance masks are classified into four types according to the roles they represent.Among them,the mask of the law of god is the major one and has largest number.Full of symbolic meanings,every Fa dance mask mocks the face of esoteric Buddhism deity it stands for.Fa dance mask is a kind of symbol.
Table of contents一、金剛法舞面具的製作工藝 21
二、金剛法舞面具的分類及特徵 23
三、金剛法舞面具的宗教文化內涵和審美特徵 28
四、金剛法舞面具的審美特徵 31
ISSN10015558 (P)
Categories法器
Regions西藏
Hits218
Created date2016.05.12
Modified date2019.10.22



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