The bibliographic record is provided by 李玉珉老師.
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張善慶 (著)=Zhang, Shan-qing (au.)
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| Source |
考古與文物=Archaeology and Cultural Relics
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| Volume | n.3 |
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| Date | 2012.06 |
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| Pages | 68 - 73 |
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| Publisher | 陜西省考古研究所 |
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| Location | 西安, 中國 [Xi'an, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：蘭州大學敦煌學研究所 |
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| Keyword | 河西石窟=Hexi Grottoes; 闕形龕=Que (gate tower)-Style Shrine; 補處菩薩=Successive Buddha; 西王母=Queen Mother of the West; 闕=Que (gate tower) |
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| Abstract | 闕形龕是漢地工匠對佛教藝術進行改造的一次嘗試。由於西王母圖像和佛教圖像長期存在互動關係，是漢代工匠改造佛教藝術的出發點，因此如果追溯其源頭，西王母圖像成為此文討論的切入點。通過對漢畫中「西王母+雙闕」模式和佛教藝術中「補處菩薩+闕形龕」模式的圖像與意涵的比較、巴蜀與河西之間的交通以及河西地區天堂觀念的考察，此文推斷闕形龕的創意應該是來自四川地區漢畫中的「西王母+雙闕」模式。
The Que-Style Shrine is one of the examples that represent Han workers' attempts to reform Buddhist art. It is generally viewed that the interaction between the images of Queen Mother of the West and Buddha set in motion a process that led to Han artists' reform of Buddhist art. Thus, the images of Queen Mother of the West can serve as the departure point of this article. By comparing the iconographic model of 'Queen Mother of the West and double Que' on Han pictorial stones and that of 'Successive Buddha and Que-Style-Shrine', studying the traffic route between Hexi and Bashu, and analyzing the ideology about heaven in the Hexi region, the paper infers that the original design of Que-Style Shrine was influenced by the model of 'Queen Mother of the West and double Que' on the Han pictorial stones in Sichuan. |
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| Table of contents | 一、早期佛教圖像與漢地傳統藝術鏈接的紐带：西王母圖像 68
二、西王母造型藝術對「補處菩薩+闕形龕」圖像模式的催生 69
(一) 「西王母+雙闕」和「補處菩薩+闕形龕」圖像模式的雷同 69
(二) 「西王母+雙闕」和「補處菩薩+闕形龕」圖像意涵的相通 70
(三) 巴蜀與河西地區的交通以及「天門」觀念的傳播 71
(四) 河西地區傳統觀念對「西王母+雙闕」模式的受容 72 |
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| ISSN | 10007830 (P) |
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| Categories | 石窟 |
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| Dynasty | 南北朝-北朝 |
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| Regions | 甘肅(酒泉文殊山石窟) |
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| Hits | 259 |
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| Created date | 2016.05.12 |
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| Modified date | 2019.10.17 |
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