The bibliographic record is provided by 李玉珉老師.
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遺失的畫稿-紀念敦煌研究院成立七十周年=Cultural Force of Dunhuang Art——Celebrating the 70th Anniversary of Dunhuang Academy |
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| Author |
劉玉權
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.145) |
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| Date | 2014.06 |
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| Pages | 24 - 34 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Keyword | 文化傳承 ; 世博演繹; 數字傳播 |
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| Abstract | 敦煌藝術秉承了古代印度佛教思想的傳統基因,在引進、消化和吸收過程中,進行了漢化、重組和創新的長足發展,從前秦建元二年(366)莫高窟鳴金開窟到元代(1368)敦煌營造息鼓的長達1000多年的時間里,成為推動世界佛教藝術蓬勃向前的一個巨大引擎。1900年藏經洞的發現導致了敦煌學的崛起,70年前敦煌藝術研究所(現敦煌研究院)的成立賦予敦煌藝術全新的生命力。縱觀敦煌藝術的緣起、內涵和影響,可以感受敦煌藝術的文化脈絡的傳承,感悟敦煌藝術的文化力量。
Dunhuang art followed the traditional gene of Buddhist thoughts in ancient India and underwent the rapid development of Sinicization, reorganization and innovation during the process of introduction and assimilation of Buddhism. Over more than 1000 years from the second year of Jianyuan(366) in the Former Qin when construction of the caves began to the Yuan dynasty(1368) when construction stopped, Dunhuang art had been a huge engine that pushed forward world Buddhist art. The discovery of the Library Cave in 1900 gave birth to Dunhuangology, while the founding of Dunhuang Art Research Institute(today’s Dunhuang Academy) 75 years ago gave a new life to Dunhuang art. A comprehensive survey of the origin and connotation of Dunhuang art as well as its impact indicates the cultural inheritance and cultural force of Dunhuang art. |
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| ISSN | 10004106 (P) |
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| Categories | 石窟; 考古; 繪畫 |
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| Dynasty | 中國-無 |
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| Regions | 甘肅(敦煌莫高窟) |
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| Hits | 240 |
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| Created date | 2016.05.12 |
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| Modified date | 2018.05.24 |
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