|
|
|
 |
|
|
|
|
|
|
中國早期佛教美術考古泛議=Discussions on Early Archaeology and Buddhist Art in China |
|
|
|
| Author |
黃文昆 (著)=Huang, Wen-kun (au.)
|
|---|
| Source |
敦煌研究=Dunhuang Research
|
|---|
| Volume | n.1 (總號=n.149) |
|---|
| Date | 2015.02 |
|---|
| Pages | 1 - 20 |
|---|
| Publisher | 敦煌研究編輯部 |
|---|
| Publisher Url |
http://www.dha.ac.cn/
|
|---|
| Location | 蘭州, 中國 [Lanzhou, China] |
|---|
| Content type | 期刊論文=Journal Article |
|---|
| Language | 中文=Chinese |
|---|
| Note | 作者單位：文物出版社 |
|---|
| Keyword | 錢樹=money tree; 金銅佛=gilt bronze Buddha; 麥積山=Maijishan Grottoes; 炳靈寺=Binglinsi Grottoes; 莫高窟=Yungang Grottoes; 云岡石窟 |
|---|
| Abstract | 近年來關于早期佛教美術考古的一大發現是在豐都槽房溝漢墓出土青銅錢樹佛像及伴出的延光四年（125）陶器座,揭示了中國佛教美術濫觴的年代。西晉以后,中國佛教告別初傳期,走向成熟,在戰亂紛擾的北方,佛教中心先后形成于河北、長安和涼州。十六國佛教美術始于后趙金銅佛系統,繼而經過關中秦隴與河西涼州兩個系統的發展,奠定了北魏佛教美術走向興盛的基礎。平城佛教的形成與發展,聚集了山東六州、關中長安、河西涼州、東北和龍、東方青齊五個方面的實力。以五所大窟承前啟后,在北魏統一北方和推行改制的過程中,云岡模式逐漸形成。
A recent discovery in the early archaeology of Buddhist art in China has unearthed a bronze money tree with Buddha statues and a pottery base dated from the fourth year of the Yuanguang era(125 CE),which shed light on the beginning of Chinese Buddhist art. After the Western Jin dynasty, Chinese Buddhism began to mature, successively forming three Buddhist centers in Heibei, Chang’an and Liangzhou, northern provinces in China ravaged by war. After the Sixteen Kingdoms period, Chinese Buddhist art began to appear in the form of gilt bronze Buddha statues from the Later Zhao dynasty and developed into two Buddhist art systems, one in central Shaanxi and eastern Gansu, the other in Liangzhou in the Hexi regions. This early work would become the basis for the prosperity of Northern Wei Buddhist art. The emergence and development of Buddhism in Pingcheng was influenced by the Buddhist art from five Buddhist centers: Liuzhou in Shandong Province, Chang’an in Shaanxi Province, Liangzhou in the Hexi Regions, Helong region in northeast China,and Qingqi region in east China. With the unification of north China and the reformation of the Northern Wei dynasty, the five caves, which inherited past Buddhist art, gradually gave birth to the "Yungang Pattern."
|
|---|
| ISSN | 10004106 (P) |
|---|
| Hits | 239 |
|---|
| Created date | 2016.06.02 |
|---|
| Modified date | 2020.10.28 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
|
|
