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石窟寺文物數字化的內涵 -- 融學術、技術、藝術于一體=The Meaning of Digitalizing Cultural Relics in Cave Temples——The Integration of Learning, Technology, and Art |
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| Author |
吳健 (著)=Wu, Jian (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.2 (總號=n.150) |
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| Date | 2015.04 |
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| Pages | 125 - 129 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：敦煌研究院數字中心； 國家古代壁畫與土遺址保護工程技術研究中心； 古代壁畫保護國家文物局重點科研基地； 甘肅省古代壁畫與土遺址保護重點實驗室 |
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| Keyword | 石窟寺數字化=digitalization of cave temples; 學術=learning; 技術=technology; 藝術=art |
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| Abstract | 本文從學術、技術和藝術角度詳細闡述了石窟寺文物數字化的內涵。首先,敦煌石窟數字化學術是基礎,了解敦煌學知識,挖掘學術價值,依據文物保護法,采用科學的文物保護理念,利用攝影與計算機理論知識制定數字化方案,指導實際工作;其次,要制定數字化的工作流程和標準規范,不斷地引進新的技術,利用多種技術手段對石窟寺進行數字化工作,永久保存數據;最后,加強數字化成果的應用,拓展思路,以藝術為目的,將價值極高的敦煌石窟展現給觀眾。
This article explores the meaning of digitalizing cultural relics in cave temples from the point of view of learning, technology, and art re spectively by creating a plan of procedure, monitoring progress, andassessing the value of digitalization to Dunhuang studies. With these goals in mind, this article seeks to: first,work out a digital plan using photography and computer technologies that follows the laws for the protection of cultural relics, applies a scientific philosophy of cultural conservation, understands Dunhuang, and explores the academic and learning value that underlies this digitalization work. Second, to create digital workflows and standards, introduce new technologies, and apply various techniques to implement the proposed plan and preserve the data permanently. Finally, to strengthen the use of digital results, expand our way of thinking, and exhibit the Dunhuang caves to audiences for the purpose of art. |
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| ISSN | 10004106 (P) |
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| Hits | 271 |
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| Created date | 2016.06.04 |
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| Modified date | 2018.05.28 |
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