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榆林窟第3窟五護佛母圖像研究=A Study on the Five Protectors (Pacarak ā) in Yulin Cave 3 |
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賈維維 (著)=Jia, Weiwei (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.4 (總號=n.152) |
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| Date | 2015.08 |
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| Pages | 14 - 24 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：浙江大學文化遺產研究院 |
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| Keyword | 五護佛母=Five Protectors(Pacarakā); 成就法=sādhana; 西夏=Western Xia; 巴哩譯師=Ba ri Lo tSā ba |
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| Abstract | 本文通過梳理《成就法鬘》、《究竟瑜伽鬘》這兩部12世紀左右成書的梵文成就法集及其在藏文大藏經中對應的相關儀軌文本,分析了榆林窟第3窟南壁西側惡趣清凈曼荼羅上方的五護佛母,并結合尼泊爾、西藏和西夏的同題材造像分析了榆林第3窟五護佛母圖像的構成內容與特征。迄今可見的所有西夏五護佛母圖像志特征,均與《成就法鬘》第206篇一系的記述吻合,或與巴哩譯師以及薩迦派歷代高僧對該系造像的推崇密切相關。
There is a group of five unidentified figures above the Durgatipari odhana Ma ala that occupies the west panel on the south wall of Yulin cave 3. By exploring selected Sanskrit literature, including two famous12 th century sādhana compendiums, Sādhanamālā and Ni hpannayogāvalīas as well as their Tibetan translations,this paper identifies the five figures as Pacarak ā. It also further discusses the iconographic composition and features of this depiction of Pacarak ā through a comparative research of this group and other Pacarak āimages from Nepal, Tibet, and Tangut in China. All the Tangut Pacarak ā images seen today are identical to the depiction of Sādhana No.206 in Sādhanamālā, which may because of the high esteem held for Ba ri Lo t Sā ba and other Sakya masters within this iconographic system. |
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| ISSN | 10004106 (P) |
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| Hits | 254 |
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| Created date | 2016.06.06 |
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| Modified date | 2018.05.29 |
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