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敦煌石窟華嚴經變作品的再思考 -- 以唐代為中心=Rethinking Buddhavatamsaka Sutra Art of Dunhuang Caves -- Focusing on the Works of the Tang Dynasty |
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| Author |
潘亮文 (著)=Pan, Liang-wen (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.153) |
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| Date | 2015.10 |
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| Pages | 11 - 19 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：臺南藝術大學藝術史學系 |
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| Keyword | 敦煌石窟=Dunhuang Caves; 唐代華嚴經變=Tang dynasty Buddhavatamsaka sutra art |
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| Abstract | 盧舍那佛造像或華嚴經變屬于華嚴經美術的范疇,同時也是中國佛教美術中重要且常見的題材之一。克孜爾石窟、敦煌石窟、安陽靈泉寺石窟等地區皆可見其相關作品。其中,延續時間最長、在原地保留作品數量多,可運用當地本身的文獻資料解讀當地華嚴經美術者,首推以敦煌石窟的作品為最。因此,本文擬就以敦煌石窟中的唐代華嚴經變為主要考察對象,配合敦煌遺書中的相關文獻資料,對其表現形式的宗教意涵進行系統性的再思考。
Vairocana Statues or Buddhavatamsaka Sutra illustrations belong to the category of Buddhavatamsaka sutra art and constitute some of the important and common subjects in Chinese Buddhist art. Related works can be found in the Kizil Grottoes, Dunhuang Caves, and Anyang Lingquan Temple Grottoes. Of these sites,the Dunhuang Caves contain the pieces with the longest history, finds with the greatest amount of intact works,and Buddhavatamsaka sutra art that can be interpreted with local historical documents. This paper intends to focus on the Buddhavatamsaka sutra illustrations of the Tang dynasty in the Dunhuang Caves and to instigate a systematic rethinking of the manifestations of religious meaning by consulting relevant literature in Dunhuang documents. |
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| ISSN | 10004106 (P) |
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| Hits | 356 |
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| Created date | 2016.06.13 |
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| Modified date | 2018.05.29 |
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