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The Buddhist Affirmation of Poetry and Locating a Thirteenth-century Fugen kōshiki in Liturgical Literature
Author Jamentz, Michael
Source Japanese Journal of Religious Studies
Volumev.43 n.1
Date2016
Pages55 - 88
PublisherNanzan Institute for Religion and Culture=南山宗教文化研究所
Publisher Url http://nirc.nanzan-u.ac.jp/en/
Location名古屋, 日本 [Nagoya, Japan]
Content type期刊論文=Journal Article
Language英文=English
NoteMichael E. Jamentz is a lecturer at Kyoto University.
KeywordChōken; Fugen kōshiki; Waka mandokoro hyōbyaku; repentance rite; Sōshō
AbstractThis article examines the authorship and dating of a Fugen kōshiki that is found in a mid-Kamakura-era manuscript transcribed by the Tōdaiji prelate Sōshō. It locates this kōshiki in its historical context through a comparison with related works and particularly Chōken’s Waka mandokoro hyōbyaku. The article concludes that Chōken was likely the author of the kōshiki as well. The kōshiki, which has not been published nor received scholarly attention in either Japan or the West, contains a clear defense of the act of composing poetry in opposition to Buddhist critiques of the practice. It makes an unprecedented argument linking repentance before Fugen to an affirmation of poetry that goes beyond the kyōgen kigō ideology, which sought the transformation of profane verse into praise for and propagation of Buddhism, and claims that practicing the “way of poetry” will itself become the “Buddhist Path.”
Table of contentsChōken and the Roots of the Agui Shōdō Tradition 59
A Summary of the Content of the Tōdaiji Toshokan Fugen kōshiki: The Argument for Poetry 62
A Description of the Manuscript Containing the Fugen kōshiki 66
Related kōshiki and Evidence from Other Manuscripts 70
Hyōbyaku and the Waka mandokoro hyōbyaku 72
The Shared Language 73
Comparing Sponsors and Questions of Dating 81
Conclusion 82
References 83
ISSN03041042 (P)
Hits395
Created date2016.07.11
Modified date2017.09.14



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