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漢傳佛教念佛曲調之研究=Chinese Buddhist Recitation of the Buddha’s Name |
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| Author |
葉馥安
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| Date | 2009 |
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| Pages | 164 |
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| Publisher | 國立臺南藝術大學民族音樂學研究所 |
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| Publisher Url |
http://ethnomu.tnnua.edu.tw/releaseRedirect.do?unitID=187&pageID=5864
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| Location | 臺南市, 臺灣 [Tainan shih, Taiwan] |
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| Content type | 博碩士論文=Thesis and Dissertation |
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| Language | 中文=Chinese |
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| Degree | master |
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| Institution | 國立臺南藝術大學 |
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| Department | 民族音樂學研究所 |
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| Advisor | 陳碧燕 |
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| Publication year | 97 |
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| Keyword | 念佛; 念佛曲調; 儀式音樂=ritual music; 梵唄=Buddhist chanting of prayers; 佛教音樂=Buddhist music; Buddhist rendition; reciting the name of Buddha |
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| Abstract | 念佛是佛教中非常重要的宗教實踐，無論是個人修持、早晚課的課誦、法會儀軌，皆有其特殊的意義與功能。本論文將從佛教經論與相關文獻著手，深入瞭解念佛在文獻上的記載與論述，探討念佛的形式與功能，再經由實際的田野調查記錄臺灣的念佛音聲，探討念佛音聲在早晚課、懺法儀式與淨土佛事等儀軌中的運用。目前隨著整個時代的轉變，念佛曲調已朝向多樣性與通俗性之發展，如此之趨勢是否與原有的儀式精神相衝突，以及念佛音聲在佛教中涵攝之意涵，以及反應如何不同的宗教主張與弘法事業的態度及其對社會文化所產生之影響，希望藉由本論文的探討能提供另一種不同的思考面向。
The Buddhist rendition plays a very important role in the religious practice. It has both great significance and efficiency for the morning assignments, the evening assignments, religious ceremonies and even the personal practice. According to the points of Buddhist citations as well as the sayings of the masters of the earlier associated references, there is an exploration of the evolution and the effect of the rendition from an academic point of view. The fieldwork records the tones of the Buddhist rendition in Taiwan. It discusses that the rendition usage in the morning assignments,the evening assignments, confessions and funeral rites not only for the personal practice but also for the public chant.
For the time being society is changing, the tones of Buddhist rendition express in various ways. Therefore, the popularity of the tones of rendition is increasing over recent years. Whether this trend is being reversed against the traditional spirit or not? The tones of rendition aim to reflect the views of the different religious and the attitude of establishing Buddhist teaching. It is a highly influential figure in social culture. That's the reason why this treatise suggests to do some different thinking hereby. |
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| Table of contents | 緒論 1
第一章 漢傳佛教念佛的意義與運用 8
第一節 念佛的意義與目的 8
第二節 漢傳佛教的念佛法 14
第三節 念佛在儀式中的運用 21
第二章 寺院日常儀軌與懺法的佛號曲調 30
第一節 朝暮課誦的「繞佛」與「拜願」 30
第二節 八十八佛大懺悔文 41
第三節 二時臨齋儀 47
第四節 慈悲三昧水懺 57
第三章 淨土佛事的念佛曲調 80
第一節 三時繫念 80
第二節 彌陀佛七 93
第三節 淨土懺 121
第四章 個人修行的念佛曲調 132
第一節 印光法師的念佛主張 132
第二節 妙蓮法師的「六度念佛」 140
第三節 星雲法師的「自由調」念佛 146
第四節 其他法師的念佛曲調 153
結論 156
參考文獻 157
附錄 163 |
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| Hits | 97 |
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| Created date | 2016.08.16 |
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