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寶頂山石刻佛飾“毫光”意涵探析
Author 高秀軍 (著)=Gao, Xiujun (au.)
Source 敦煌學輯刊=Journal of Dunhuang Studies
Volumev.2015 n.2
Date2015
Pages115 - 128
Publisher蘭州大學敦煌學研究所敦煌學輯刊編輯部
Publisher Url http://dhxyjs.lzu.edu.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Keyword毫光; 寶頂山石刻; 西方凈土
Abstract佛飾毫光代表佛證三十二相、八十隨​​形好的無上狀態以及佛放光說法。大足石刻尤其註重毫光的形態呈現,出現了大量飾以毫光的佛、菩薩造像。此文意在以寶頂山石刻的佛毫光造像為中心,探討其來源及意義。寶頂山以及夾江、敦煌等地的毫光造像是唐代西方凈土信仰盛行的產物,毫光出現的特定位置、形態及所依附的尊像均有著不同的意涵。
Table of contents一、毫光出典與圖像 116
二、大足石刻造像中的毫光 119
(一)複雜組合造像中的毫光 120
(二)簡單組合及單尊造像中的毫光 121
三、寶頂山石刻中的佛毫光 122
四、小結 128
ISSN10016252 (P); 10016252 (E)
Hits223
Created date2016.08.24
Modified date2017.12.22



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