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發現夏荊山佛畫境界在視覺藝術的創新與明心 =Discovery of Innovation and Insights of Xia Jing Shan’s Buddhist Painting Themes in the Field of Visual Art |
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| Author |
莊麗華 (著)=Chuang, Li-hua (au.)
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| Source |
夏荊山藝術論衡=Journal of Xia Jing Shan's Art
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| Volume | n.2 |
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| Date | 2016.09 |
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| Pages | 91 - 119 |
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| Publisher | 財團法人夏荊山文化藝術基金會 |
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| Publisher Url |
http://www.xjsacf.com/TW/Showroom02/ugC_ShowroomItem.asp
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| Location | 臺北市, 臺灣 [Taipei shih, Taiwan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為中國文化大學數位媒體學程助理教授 |
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| Keyword | 夏荊山居士=Xia Jing-shan; 文化藝術=culture and arts; 數位科技=technology |
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| Abstract | 探討夏荊山佛教繪畫藝術中所表現的純熟技法，他的作品融合了中國畫的寫意、工筆畫的細膩與西洋畫的寫實，這樣的繪畫元素與形式技巧相較於當代媒體科技傳達的視覺藝術有折視覺經驗的大不同，但要傳達藝術文化的底蘊與人類智慧的核心，都有看似真實簡單卻有著深層的內涵與渴望。在利益至上的現代社會，夏荊山佛畫的所傳達的社會道德可擴大為說故事的有聲書和動畫體驗，更能有效發揚佛教繪畫中正向的情感教育，達到提升社會調和與文化藝術公益化的目標。
夏荊山的字畫，主要發揚佛陀的慈悲和智慧，宗教意境的呈現：竹林、流泉、雲霞…等場景氣氛，他創造的佛教美學讓人感受到動中取靜與無欲無念，以藝術家清淨之心繪製諸佛法相，又以諸佛萬德法相莊嚴眾生之心，能使人們放下自我，達到真、善、美的境界。這樣的禪悟也對中國美學導入心靈的淨化意義有著社會功能，以今日人們強調視覺感官的特性，若能結合數位科技的種種技巧、展示媒介，更能拓展藝術元素與一般大眾的互動與價值分享。
The discussion on skillful techniques expressed in Xia Jing Shan’s Buddhist paintings sheds the light on the integration of theme description and fineness features of Chinese painting and the realistic style of western painting. These painting elements and technique form are very distinct from visual art with illustrative experience conveyed by contemporary media technology, but these two types of art have simple but in-depth contents and desires to convey the essence of artistic culture and the core of human intelligence. In modern society that first looks for profit making, Xia Jing Shan’s Buddhist paintings convey us social morals presented in audio books and animations for more effective inspiration and promotion of positive emotional education of Buddhist paintings. Thus, the objectives to enhance social harmony and charity works of cultural art have been achieved. Xia Jing Shan’s painting and calligraphy works mainly convey Buddha’s mercy and wisdom. Through the presentation of religious themes of bamboo trees, running spring, and clouds, he creates Buddhism aesthetics to allow us to feel the serenity and selflessness. He paints Buddha with a pure and peaceful heart of an artist, and Buddha he paints enables us to put self aside for the achievement of truth, virtue, and aesthetics. This Zen realization plays a social role in the introduction of pure heart to Chinese aesthetics. Today people care more for visual senses, and if we are able to combine techniques and display media of digital technology, we are able to expand the interaction and value sharing of artistic elements with the general public. Compiling and discourse analysis of style presentation of various Guanyin Bodhisattv of Xia Jing Shan’s paintings are shown below: Theme Concept→ Features of Charactors→ Plotting→ Story Fabrication→ Healing from Zen Meditation. At the same time, diverse development of art creation should be encouraged. With contemporary new media technologies of photography, computer, TV and film, we should transform the development of consciousness of Buddhism aesthetics strategies and intangible essence into people’s self-perspective and mental and mind consciousness. Then we should develop the application value of widespread media exhibition space of series paintings with experimental animation, videography art, and drawing books to combine with religious culture and art for the development of cultural and creativity industry of visual art. |
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| Table of contents | 壹、主題概念 94
貳、人物特點 98
參、情境佈局 101
肆、故事虛擬 107
伍、禪定療癒 114
陸、文創產業 116
(一) 看圖說故事 116
(二)展演空間裝置 117
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| ISSN | 24126233 (P) |
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| Hits | 439 |
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| Created date | 2016.10.05 |
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| Modified date | 2020.06.17 |
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