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孫曉峰 (著)=Sun, Xiao-feng (au.)
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考古與文物=Archaeology and Cultural Relics
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| Volume | n.3 |
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| Date | 2014.06 |
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| Pages | 97 - 102 |
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| Publisher | 陜西省考古研究所 |
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| Location | 西安, 中國 [Xi'an, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：蘭州大學敦煌學研究所 |
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| Keyword | 建鼓=Jiangu-drum; 功能與性質=Function and nature; 佛教內涵=Contents of buddhism |
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| Abstract | 麥積山127窟西方淨土變中的建鼓圖像是外來佛教文化與中國傳統禮儀樂器相互融合的具體表現之一。它一方面展現出北朝晚期中原北方地區通行的建鼓樣式，對於探討先秦兩漢時期的建鼓發展與演變有重要價值。另一方面說明隨著佛教中國化、世俗化加快以及淨土思想的傳播，建鼓以其特殊的功能和含義也被納入佛教音樂圖像之中。
The iconography of a Jiangu-drum found inside the 127 cave at the Maijishan Grottoes is a vivid case showing the integration between the Buddhism culture and musical instruments in traditional Chinese ceremony. On the one hand, the iconography itself illustrates the style of Jiangu-drum popular in Northern China during the Late Northern Dynasties and serves as a link to explore the development of Jiangu-drum starting from the Pre-Qin and Han Dynasties. On the other hand, this image shows that, given its special function and meaning，Jiangu-drum coherently became part of the musical iconography of Buddhism along with the Sinolization and secularization of Buddhism as well as the spread of Pure Land Buddhism. |
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| Table of contents | 一、127 窟「建鼓」的圖像分析 97
二、127 窟建鼓的功能和作用 100
三、餘論 101
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| ISSN | 10007830 (P) |
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| Categories | 佛教圖像 |
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| Dynasty | 南北朝-北朝 |
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| Hits | 225 |
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| Created date | 2017.03.22 |
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| Modified date | 2019.10.21 |
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