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| Author |
于春 (著)=Yu, Chun (au.)
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| Source |
考古與文物=Archaeology and Cultural Relics
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| Volume | n.6 |
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| Date | 2015.12 |
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| Pages | 55 - 64 |
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| Publisher | 陜西省考古研究所 |
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| Location | 西安, 中國 [Xi'an, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：西北大學文化遺產學院、西安美術學院 |
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| Keyword | 長安=Chang'an; 北魏=Northern Wei dynasty; 佛教造像=Buddhist statues; 形制特徵=Typological characteristics |
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| Abstract | 長安北魏佛教造像有銅、石兩類材質。石質造像可分為單體圓雕造像、背屏式造像、造像塔、造像碑、造像龕、三面造像石、單面造像石等七類。造像塔、背屏式造像和造像碑是長安北魏流行的造像形式，至遲到北魏晚期尚未出現成熟的石質圓雕佛像。至遲在北魏末期，長安已出現成熟的佛像鑄造失蠟法工藝。
Bronze and stone are the two major types of materials for making Buddhist statues during the Northern Wei dynasty in the Chang'an area. According to their shapes and structures, the forms of the stone statues of the Northern Wei period can be divided into seven groups. However, the mature form of stone Buddhist statues made by circular engrave techniques did not appear until the late Northern Wei period. Back-scree statuses and steles are most popular throughtout the entire Northern Wei period. During the Late Northern Wei dynasty, lost-wax casting had been adopted to cast Buddhist statues, while the traditional Chinese bronze casting technology was still practiced. |
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| Table of contents | 一、銅造像形制特徵 55
(1) 組合式造像 56
(2) 單體式造像 56
(3) 像座 57
二、圓雕石造像形制特徵 57
三、背屏式石造像--形制特徵 58
四、造像塔形制特徵 58
1. 單體式造像塔 58
(1) 樓閣式造像塔 58
(2) 亭閣式造像塔 59
2. 組合式造像塔 59
(1) 正方體多層式 59
(2) 豎長方體式 59
五、造像碑形制特徵 59
1. 碑首 59
(1) 碑首一體式 59
(2) 碑首外加式 59
2. 碑面構圖 60
(1) 上下雙龕式 60
(2) 一面一龕式 60
六、造像龕形制特徵 60
1. 尖拱形頂 60
2. 平頂 60
七、三面造像石形制特徵 61
八、單面造像石形制特徵 61
1. 一面一龕式 62
2. 上下雙龕式 62
3. 千佛龕式 62
九、結語 62 |
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| ISSN | 10007830 (P) |
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| Categories | 雕塑造像 |
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| Dynasty | 南北朝-北朝-北魏 |
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| Regions | 中國 |
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| Hits | 310 |
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| Created date | 2017.03.22 |
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| Modified date | 2019.10.21 |
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