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關中唐代地藏菩薩造像研究=Research on Statue of Ksitegarbha Bodhisattva in the Tang Dynasty |
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白文 (著)=Bai, Wen (au.)
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| Source |
西北大學學報 (哲學社會科學版)=Journal of Northwest University (Philosophy and Social Sciences Edition)
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| Volume | v.40 n.4 |
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| Date | 2010.07 |
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| Pages | 37 - 43 |
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| Publisher | 西北大學學報編輯部 |
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| Location | 西安, 中國 [Xi'an, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：西安美術學院藝術與考古研究所 |
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| Keyword | 關中=Guanzhong; 地藏菩薩=Ksitegarbha Bodhisattva; 造像=statue; 地藏信仰=Ksitegarbha religion |
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| Abstract | 關中唐代的地藏形象可分為佛裝形、菩薩形、沙門形3種，時間為7世紀中葉至8世紀初，其中，佛裝形地藏是關中地藏菩薩的主流形貌。關中唐代地藏菩薩造像特色，就是地藏菩薩和其他佛、菩薩的組合。這樣的組合並不見於佛經，應該是外來信仰不斷中國化、世俗化的過程。地藏信仰則走向另一個發展，側重於地獄救度、地藏救贖重心的偏移，以及最終成幽冥世界的主宰，可以說是中國文化選擇的結果。
The Dang dynastic statue of Ksitegarbha in Guan Zhong could be divided into three kinds; Buddha-shape, bodhisattva-shape and Samana- shape. During the 7 mid-century to the 8 century, Buddha-shape Ks-iegarbha is the main shape of Ksitegatbha Bodhisattva in Guan Zhong, and its character is the combination of other Buddhas and Bodhisattas. The combination is not found in Buddhism, and it should be a procession that the other belief was secularized and depended in China. It can be said that the Chinese culture erlose that the faith of Ksite-garbha depended to other way, such as focusing on saving hell, finally becoming the domination in nether world and shifting the salvation of Ksitegarbha. |
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| Table of contents | 一、地藏菩薩溯源 37
二、關中唐代地藏形象與特徵 38
(一) 彬縣大佛寺石窟地藏造像考察 39
(二) 藥王山摩崖造像的地藏考察 42
三、結語 42
參考文獻 43 |
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| ISSN | 10002731 (P); 10002731 (E) |
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| DOI | 10.16152/j .cnki .xdxbsk.2010.04.040 |
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| Categories | 雕塑造像 |
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| Dynasty | 唐代 |
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| Hits | 183 |
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| Created date | 2017.03.23 |
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| Modified date | 2019.10.03 |
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