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吐蕃佛教石刻造像綜述=Integrated Summarization on the Lithoid Buddhist Figures in Bod Period |
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席琳 (著)=Xi, Lin (au.)
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| Source |
西北大學學報 (哲學社會科學版)=Journal of Northwest University (Philosophy and Social Sciences Edition)
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| Volume | v.41 n.1 |
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| Date | 2011.01 |
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| Pages | 52 - 56 |
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| Publisher | 西北大學學報編輯部 |
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| Location | 西安, 中國 [Xi'an, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：大學文博學院 |
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| Keyword | 吐蕃=Bod lithoid; 佛教石刻造像=buddhist figures; 佛教考古=buddhism archaeology |
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| Abstract | 青藏高原及周邊地區目前可以確認的17處吐蕃佛教石刻造像時代為公元8～10世紀，以密教系造像為主，服飾包括吐蕃化的俗裝袍服和菩薩裝、佛裝，反映了吐蕃佛教傳入伊始便具有顯著的密教實踐色彩和本土化特色，同時受到了中原漢地、印度尼泊爾、中亞文化因素的影響。同時分析了目前研究中存在的問題是基礎資料收集的欠缺與造像特徵把握的不全面，提出應該用佛教考古學方法對吐蕃時期佛教石刻造像進行研究的方法和思路。
This paper mainly makes summaries of the distribution, type, character, style and culture element of the 17 group lithoid buddhist figures of Bod during A.D. 8～10 century, most of them object belonging to system and their clothes, reflecting obvious Bod figure element, meanwhile, elements from centrs Asin, Indo-Neple and China. The subject of these figures mainly are on Vairocana which shows the importance of Tantrism in Bod-Buddhism period. Their characteristics on dress reflects influences mainly from Bod culture and secondly from China, Nepal, India and Central Asia. At the same time, a brief analysis about matters existing in research work can also be done. Then, a suggestion has been tabled that we should supply the method of buddhism archaeology to our research on the lithoid buddhist figures in Bod period. |
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| Table of contents | 一、分佈與分類 52
二、造像特徵 53
(一) 造像本體的服飾 53
(1) 俗裝 53
(2) 菩薩裝 54
(3) 著虎皮明王造像 54
(二) 像座特徵 54
(1) 像座樣式 54
(2) 獅子造型 55
(3) 壼門 55
(4) 座邊花紋 55
三、研究方法 55
參考文獻 56 |
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| ISSN | 10002731 (P); 10002731 (E) |
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| DOI | 10.16152/j.cnki.xdxbsk.2011.01.016 |
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| Categories | 雕塑造像 |
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| Regions | 西藏 |
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| Hits | 198 |
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| Created date | 2017.03.23 |
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| Modified date | 2019.10.03 |
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