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長安地區北朝金銅佛像形制與鑄造技術特徵=The Types and Casting Technique Features of the Bronze Buddhist Statues of the Northern Dynasties Period in the Chang’an Region |
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| Author |
于春 =Yu, Chun
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| Source |
文博=Relics and Museolgy
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| Volume | n.3 (總號=n.192) |
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| Date | 2016.05 |
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| Pages | 37 - 44 |
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| Publisher | 西安文物保護修復中心 |
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| Publisher Url |
http://www.xccch.net/
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| Location | 西安, 中國 [Xi'an, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：西安美術學院 |
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| Keyword | 金銅佛像=Bronze Buddhist Statues; 失蠟法=Lost-wax Casting; 範鑄法=Mold Casting; 偽制=Fakes |
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| Abstract | 長安地區早在十六國時期已有金銅佛像傳入。長安地區北朝金銅佛像有圓雕、背屏式、板式造像三類，其中背屏式占絕大多數。造像技術有範鑄法和失蠟法兩種，至遲在北魏末期的530年前後，長安地區已經出現了成熟的失蠟法技術鑄造佛像；至遲在北魏太和年間，長安地區已經出現了範鑄法鑄造的金銅佛像。部分出土或館藏的北朝金銅造像為20世紀初期偽制，必須進行甄別。
As early as in the Sixteen-Kingdoms Period(304-439 AD), bronze Buddhist statues have been introduced into the Chang’an region. The bronze Buddhist statues of the Northern Dynasties Period can be classified into the freestanding statues, back screen-style statues and panel-shaped statues, and the back screen-style ones took the bulk. The casting techniques of these statues included mold casting and lostwax casting: at latest in 530 AD, which was at the end of the Northern Wei Dynasty, Buddhist statues made by mature lost-wax casting technique have appeared in Chang’an region. However, some "bronze Buddhist statues of the Northern Dynasties" unearthed or collected in museums were replicas or fakes made in the early 20 th century, which must be identified. |
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| Table of contents | 一、長安地區出土北朝金銅造像概況 38
(一) 北魏太和七年(483)銘追遠寺銅板造像 38
(二) 神平三年(530)銘楊伏生造彌勒菩薩像 38
(三) 北周天和五年(570)比丘尼馬法先銘造像 38
二、長安地區北朝造像的形制特徵 38
(一) 圓雕造像 39
(二) 背屏式造像 39
(三) 板式造像 39
三、長安地區北朝金銅佛像的鑄造工藝 40
(一) 失蠟法 40
(二) 範鑄法 40
四、僞製佛像的疑慮 41
結語 42 |
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| ISSN | 10007954 (P); 10007954 (E) |
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| Hits | 252 |
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| Created date | 2020.01.07 |
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| Modified date | 2020.01.17 |
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