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雷峰塔地宮玉雕童子像探究：五代善財童子異化的獨立造像=The Research of the Jade Boy Statue in the Underground Palace of Leifeng Pagoda: the Sudhana of an Individual Holy Figure in the Five Dynasties |
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| Author |
陳俊吉 (著)=Chen, Chun-chi (au.)
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| Source |
玄奘佛學研究=Hsuan Chuang Journal of Buddhism Studies
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| Volume | n.22 |
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| Date | 2014.09 |
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| Pages | 37 - 84 |
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| Publisher | 玄奘大學 |
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| Publisher Url |
http://ird.hcu.edu.tw/front/bin/home.phtml
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| Location | 新竹市, 臺灣 [Hsinchu shih, Taiwan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者為台灣首府大學文化創意產業學位學程助理教授兼主任 |
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| Keyword | 入法界品=Gaṇḍavyūha; 華嚴經=Avatamsaka Sutra; 雷峰塔=Leifeng Pagoda; 地宮=underground palace |
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| Abstract | 善財童子的獨立造像究竟在中國何時出現，是個有趣且值得關注的議題，目前出現此類型的造像，為 2001 年大陸的考古相關單位，發現杭州雷峰塔的地宮供養物中，有一件玉雕童子像出土，此童子的身分，考古單位最早訂名為「善財童子」，而後有金申學者反對之。但之後學界並無專家學者針對其玉雕童子像的身分進行更深入的釐清以及探討，故本文重新對該尊造像進行探究，認為此尊玉雕童子，即是善財童子，此尊的案例在唐五代可說是極為特殊，可以說是獨立異化的發展，具有濃厚護國色彩的特質。
The topics of the appearance of Sudhana who was an individual holy figure in China was interesting and noteworthy. A jade boy statue was excavated from underground palace of Leifeng Pagoda in Hangzhou in 2001. The jade boy statue was similar to Sudhana, so it was named “Sudhana”. Some scholars dissented, but archaeologists to date have yet to find books and other written works in this type of style. So this paper re-explored the statues. After exploring, the author knew the jade boy statue was Sudhana. This case of the Sudhana was very special in the Tang and Five Dynasties. It was the Independent development of an individual holy figure. And it had a dash of patriotism. |
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| Table of contents | 一、前言 39
二、玉雕童子的「九山八海」與「祥雲」造型釐清 43
（一）「九山八海」的圖紋運用 43
（二）「祥雲」的獨特展現 48
三、玉雕童子的體態造型釐清 51
（一）唐五代時期善財童子的造像特色 51
1、菩薩眷屬中善財童子造型 51
2、入法界品圖中善財童子造型 53
3、唐密曼荼羅中善財童子造型 57
4、善財童子的尊格的發展 57
（二）雷峰塔地宮出土玉雕童子與世俗嬰戲相悖 60
（三）玉雕善財童子的體態意涵 61
四、玉雕善財童子為觀音眷屬誤判 63
五、玉雕善財童子證入法界的護國思維 67
六、結論 75 |
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| ISSN | 18133649 (P) |
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| Hits | 162 |
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| Created date | 2020.03.25 |
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| Modified date | 2020.03.25 |
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