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敦煌與瓜州西夏時期石窟藝術的比較研究=A Comparative Study of Western Xia Period Buddhist Cave Art from Dunhuang and Guazhou |
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| Author |
何卯平 (著)=He, Mao-ping (au.)
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寧強 (著)=Ning, Qiang (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.6 (總號=n.160) |
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| Date | 2016 |
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| Pages | 41 - 49 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：首都師範大學美術學院；作者單位：首都師範大學歷史學院 |
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| Keyword | 壁畫補繪=repainted wall paintings; 原創新窟=construction of new caves; 西夏地方史=regional history of the Western Xia |
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| Abstract | 本文對敦煌和瓜州兩地西夏時期石窟藝術的壁畫題材、造型風格、供養人構成、藝術功能等進行了比較研究，認為敦煌與瓜州在西夏時期因政治狀況、經濟發展、軍事形勢等方面的明顯差異而顯示出不同的特點：動蕩不安的敦煌，由於歷史的慣性繼續了歸義軍時期的制作佛教藝術的熱情，但僅限於改建或補繪前朝石窟；而相對穩定而強勢的瓜州則營建了一批特色鮮明、原創性極強的新窟，集中反映了西夏在文化藝術上取得的傑出成就。
This paper presents a comparative study on the themes, styles, constituents of donor figures, and artistic functions of Western Xia dynasty Buddhist cave murals from Dunhuang and Guazhou, and considers that the cave art of Dunhuang and Guazhou exhibit differing characteristics due to clear differences in the political conditions, economic development, and military situation respective to each region. In turbulent Dunhuang, although a passion for creating Buddhist art had been inherited as a result of historical inertia, activities were confined to rebuilding or painting existing caves; whereas in relatively stable and powerful Guazhou, a new group of caves were constructed that reflect in a concentrated form the outstanding achievements in culture and art produced by the Western Xia.
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| Table of contents | 一、瓜、沙西夏石窟營建的歷史背景 42
二、瓜州西夏原創石窟的營建 44
三、敦煌、瓜州西夏石窟藝術 45 |
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| ISSN | 10004106 (P) |
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| DOI | 10.13584/j.cnki.issn1000-4106.2016.06.010 |
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| Hits | 265 |
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| Created date | 2020.08.24 |
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| Modified date | 2020.08.24 |
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