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敦煌莫高窟第285窟“天福之面”(kritimukha)考=A Study on Kirtimukha in Mogao Cave 285 at Dunhuang |
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馬兆民 (著)=Ma, Zhao-min (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.1 (總號=n.161) |
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| Date | 2017 |
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| Pages | 102 - 110 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：敦煌研究院考古研究所 |
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| Keyword | 莫高窟第285窟=Mogao Cave 285; 饕餮紋=taotie motif; 天福之面=kirtimukha |
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| Abstract | 長期以來，學界對莫高窟第285窟，以及山西雲岡石窟第7、8、12、30窟，河南龍門石窟古陽洞，甘肅麥積山石窟第133窟，甘肅北石窟寺樓底村第1窟，東千佛洞第2窟，榆林窟第4窟等石窟中出現的獸面形象，大多認定為中國傳統紋飾的饕餮紋。本文通過對此形象的對比研究，筆者認為此饕餮紋應為佛教文化中的"天福之面"(Kirtimukha)。
Animal-faced images have been found in many Buddhist caves throughout China: cave 285 at the Mogao Grottoes, cave 133 at the Maijishan Grottoes, Cave 1 at the Beishiku Cave Temple( Northern Cave Temples), Cave 2 at the Eastern Thousand-Buddha Grottoes, Cave 4 of the Yulin Grottoes in Gansu Province, caves 7, 8, 12, and 13 at the Yun'gang Grottoes in Shanxi Province, and Guyang Cave at the Longmen Grottoes in Henan Province. For a long time, most of these images have been identified as depictions of the taotie motif( "Monster of Greed"), a traditional Chinese decorative pattern. A comparative study of these images suggests that the so-called taotie motif corresponds to Kirtimukha("glorious face") in Buddhist culture. |
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| Table of contents | 一、詞源 102
二、天福之面由來及其在石窟中的位置 103
1.天福之面圖像的釋義 103
2.饕餮圖像的釋義 103
3.古印度石窟中的天福之面 104
(1)巴米揚石窟 104
(2)阿旃陀石窟 104
(3)桑奇大塔 105
三、敦煌莫高窟第285窟的天福之面圖 105
四、其他石窟中的天福之面 106
1.雲岡石窟 106
2.龍門石窟 107
3.麥積山石窟 107
4.北石窟寺 108
5.北齊菩薩 108
6.隋代菩薩 108
7.東千佛寺 108
8.榆林窟 109
五、結語 110 |
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| ISSN | 10004106 (P) |
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| Hits | 300 |
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| Created date | 2020.08.25 |
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| Modified date | 2020.08.25 |
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