Site mapAbout usConsultative CommitteeAsk LibrarianContributionCopyrightCitation GuidelineDonationHome        

CatalogAuthor AuthorityGoogle
Search engineFulltextScripturesLanguage LessonsLinks
 


Extra service
Tools
Export
炳靈寺第169窟西秦圖像反映的犍陀羅文化因素東傳情況=The Eastward Dissemination of Gandharan Culture Reflected in Images of the Western Qin Kingdom in Cave 169 at the Binglingsi Grottoes
Author 李靜杰=Li, Jing-jie
Source 敦煌研究=Dunhuang Research
Volumen.3 (總號=n.163)
Date2017
Pages16 - 33
Publisher敦煌研究編輯部
Publisher Url http://www.dha.ac.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者單位:清華大學藝術史論系教授
Keyword炳靈寺第169窟=Cave 169 at the Binglingsi Grottoes; 西秦佛教圖像=Buddhist images of the Western Qin; 犍陀羅文化=Gandharan art; 梵天=Brahma; 執金剛力士=Vajradhara
Abstract永靖炳靈寺第169窟西秦遺跡,系中國早期佛教物質文化的重要內容。本文討論了其中學界沒有確定的圖像尊格和若干造型因素的由來,認為北壁12號壁畫說法圖為梵天勸請內容,北壁3號龕泥塑二脅侍應分別為菩薩、執金剛力士像,進而指明其犍陀羅和西域文化淵源,以及在漢文化地區的后續影響情況;繼而分析了本窟西秦壁畫鮮花、花鬘供養圖像及花樹莊嚴圖像與犍陀羅和西域文化因素的關聯。炳靈寺第169窟西秦遺跡,具體、真實地反映了犍陀羅文化因素東傳和新發展情況。

The relics of the Western Qin Kingdom in Cave 169 at the Binglingsi Grottoes are very important components of early Chinese Buddhist material culture. This paper discusses the origins and modeling of some unidentified characters from the murals found in the cave and comes to the following conclusions: painting No.12, of Buddha preaching, on the north wall is in fact a depiction of Brahma’s Request; and the two clay attendant statues in cave 3 on the north wall are Bodhisattva and Vajradhara. On this basis, the author further demonstrates that the works’ iconographic origins come from Gandhara and the Western Regions, identifies the subsequent effects of these cultures in an area dominated by Han-Chinese culture, and then analyzes the connections between the images on the north wall, with a special eye for depictions of flower offerings, flower tendrils,and decorative flower-trees, and the art and culture of Gandhara and the Western Regions. These Western Qin relics in Cave 169 at the Binglingsi Grottoes accurately and authentically reflect the eastward spread and development of Gandharan cultural elements.
Table of contents一 北壁12號壁畫中跪坐合掌人物 17
(一)梵天勸請圖像的犍陀羅源頭 18
(二)梵天圖像在漢文化地區的新發展 20
二 北壁3號龕泥塑三尊像中二脅侍像 23
三 瓔珞與鮮花供養及花樹莊嚴圖像 28
(一)執瓔珞供養圖像 28
(二)托花盤供養圖像 29
(三)花樹莊嚴圖像 32
四 小結 32
ISSN10004106 (P)
Hits257
Created date2020.10.16
Modified date2020.10.16



Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE

Notice

You are leaving our website for The full text resources provided by the above database or electronic journals may not be displayed due to the domain restrictions or fee-charging download problems.

Record correction

Please delete and correct directly in the form below, and click "Apply" at the bottom.
(When receiving your information, we will check and correct the mistake as soon as possible.)

Serial No.
598512

Search History (Only show 10 bibliography limited)
Search Criteria Field Codes
Search CriteriaBrowse