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敦煌早期三窟及濕壁畫技法 - 《敦煌石窟全集》第一卷《莫高窟第266～275窟考古報告》編後=The Three Earliest Caves of Dunhuang and Fresco Technique - After Having Compiled the Archaeological Report on Mogao Caves 266～275,the fist volume of the Collected Works of Dunhuang Caves |
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| Author |
黃文昆 (著)=Huang, Wen-kun (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.165) |
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| Date | 2017 |
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| Pages | 1 - 11 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：文物出版社編審 |
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| Keyword | 石窟考古報告=archaeological report on caves; 敦煌早期三窟=three earliest caves of Dunhuang; 彌勒信仰=Maitreya belief; 濕壁畫=fresco |
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| Abstract | 《敦煌石窟全集》第一卷《莫高窟第266~275窟考古報告》於2011年出版,揭開了敦煌石窟研究的新篇章。書中敦煌早期三窟——莫高窟第268、272、275窟,是學界公認敦煌現存最早的石窟寺遺跡。 "敦煌地接西域",西北印度和中亞的彌勒信仰在三窟得到純粹而完備的圖像學表現。三窟的具體年代迄無定論,不同的意見及窟內復雜情況須深入探討。早期三窟美術品的製作技法值得注意。敦煌早期壁畫至少在繪制開始的步驟,應該是使用了濕壁畫的方法。
The publication of the Archaeological Report on Mogao Caves 266-275, the first volume of the Collected Words of Dunhuang Caves, has started a new chapter on Dunhuang cave research. The three earliest caves in this book, namely caves 268, 272 and 275, are generally considered to be the earliest remains of cave temples in China. It is said that " Dunhuang meets the Western Regions;" complete, immaculate images from the Maitreya belief of Northwest India and Central Asia can be seen in the three caves. There is no final consensus about the exact date of the three caves so far, and different opinions and the complicated interior conditions of the caves have to be discussed in depth before any further conclusions can be made. The technique of the artworks in the three caves is noteworthy, however, these early murals of Dunhuang applied an interesting fresco-like technique, at least in the first painting procedures. |
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| Table of contents | 一以禪觀和彌勒信仰為主題 3
二早期三窟的建造年代 6
三敦煌早期的雕塑繪畫以及濕壁畫 9 |
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| ISSN | 10004106 (P) |
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| Hits | 368 |
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| Created date | 2020.10.19 |
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| Modified date | 2020.10.28 |
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