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托林寺迦薩配殿藥師圖像重構 - 兼議13 - 15世紀西藏阿里地區藥師如來信仰與圖像配置=Reconstruction of the Bhai ajyaguru Images Combination in the br Gya rtsa lha khang at Tholing Monastery - Plus a Discussion on Image Combination and the Belief of Bhai ajyaguru in Ngari in Tibet during the 13th to the 15th Centuries
Author 王瑞雷 (著)=Wang, Rui-lei (au.) ; 任赟娟 (著)=Ren, Yun-juan (au.)
Source 敦煌研究=Dunhuang Research
Volumen.2 (總號=n.168)
Date2018
Pages103 - 115
Publisher敦煌研究編輯部
Publisher Url http://www.dha.ac.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者單位:浙江大學漢藏佛教藝術研究中心;中央民族大學民族學與社會學院
Keyword托林寺迦薩殿= brgya rtsa lha khang at the Tholing Monastery; 藥師如來曼荼羅=Bhais ajyaguru mandala; 帕爾噶爾布石窟=sPang bka [’gram]; 桑達石窟=Bar dkar po; 羌袞巴石窟=Byang dgon pa
Abstract意大利藏學家朱塞佩·圖齊於1933和1935年考察託林寺迦薩殿時其內部塑像與壁畫尚完好無損,他與隨從攝影師尤金·蓋爾西當年拍攝了大量有關迦薩殿的壁畫,可惜這批寶貴的圖片資料現仍封存於意大利國家東方藝術博物館內至今還未公開於眾,這對於研究已沉湎於歷史記憶中的託林寺迦薩殿而言,要化解它內部諸佛殿中的圖像配置這一謎團仍需要漫長的等待。文章從奧地利維也納大學藝術史學者黛博拉·克林伯格·塞爾特教授早年論文《斯比蒂河谷中的唐卡繪畫傳統》中所引用蓋爾西於迦薩殿拍攝的兩張照片入手,結合西藏西部阿里地區13—14世紀前後的桑達石窟、帕爾噶爾布石窟以及羌袞巴石窟中的藥師如來壁畫,重新構建迦薩殿外圍配殿原藥師如來殿的圖像構成與年代以及該題材在13—14世紀阿里地區的圖像配置和信仰。

When Italian Tibetologist Giuseppe Tucci investigated the brgya rtsa lha khang at the TholingMonastery in 1933 and 1935, the statues and wall paintings inside were still intact. Giuseppe Tucci and his companion, photographer Eugenio Ghersi, had already photographed a lot of wall paintings at that time, though these precious visual materials have unfortunately been kept unpublicized in the National Oriental Art Museum of Italy. It will take a long time to recompose the original image combination in the halls of the Tholing Monastery, as these photos contain only memories of a monastery which has since been lost to history. Starting with two photos taken by Eugenio Ghersi and cited by Deborah E. Klimburg Salter in her paper "The Tangka Painting Tradition in the Spiti River Valley," and combining with the wall paintings of Bhaisajyaguru in s Pangbka [’gram] Bar dkarpo and Byang dgon pa, all of which date back to the 13 th and 14 th centuries in Ngari(west Tibet), this paper attempts to study the image combination as it existed in the original Bhaisajyaguru hall,a side hall of the brgya rtsa lha khang, and discusses the belief surrounding this theme in 13 th century Ngari.
Table of contents一 迦薩殿與藥師佛圖像概述 104
二 西藏藥師如來傳承譜系及與經典 106
三 西藏藥師如來曼荼羅的圖像傳承 107
四 13—14世紀阿里地區藥師如來曼荼羅遺存與圖像配置 110
五 託林寺迦薩配殿藥師如來圖像構成及相關問題 113
六 結論 114
ISSN10004106 (P)
Hits383
Created date2020.10.21
Modified date2020.10.28



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