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營造畫面語境 - 關于敦煌法華經變「靈山會 ＋ 虛空會」場景定名之再思考=Creating a Painting Context - Restudying the Naming of the Scene “The Assembly at Vulture Peak plus the Assembly in the Air” in the Lotus Sutra Illustrations at Dunhuang |
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張元林 (著)=Zhang, Yuan-lin (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.169) |
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| Date | 2018 |
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| Pages | 19 - 27 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：敦煌研究院研究員 |
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| Keyword | 法華經變=Lotus sutra illustration; 虛空會=assembly in the air; 靈山會=assembly on vulture peak; 再思考=reconsideration |
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| Abstract | 本文在對敦煌法華經變中"靈山會+虛空會"場景的幾種表現形式及形成過程進行歸納、整理的基礎上,對其定名進行了重新思考,認為這一場景的構圖目的是為了營造經變畫面敘事的整體語境,不應單純地將其定名為某一品。
By summarizing the forms of the scene of " The Assembly at Vulture Peak plus the Assembly in the Air" and its development in the Lotus Sutra Illustrations at Dunhuang, this paper presents a restudy on its naming. It considers that the somewhat unusual composition was intended to create a comprehensive narrative context of the sutra illustrations and argues that the scene should not be identified as a depiction of a single chapter. |
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| Table of contents | 一 問題的提出 20
二 法華經變的“靈山會+虛空會”場景 20
1.所謂的“二處三會” 20
2.“靈山會+虛空會”場景的表現形式 21
三 “靈山會+虛空會”場景定名再識 25
1.關于“虛空會”之定名 25
2.關于“靈山會”之定名 25
3.關于第55、454窟構圖的定名 26
四 結語 27 |
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| ISSN | 10004106 (P) |
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| Hits | 308 |
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| Created date | 2020.10.23 |
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| Modified date | 2020.10.23 |
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