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莫高窟第419窟須大拏本生圖新探=A New Study on the Images of the Sudāna Jataka in Mogao Cave 419 |
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| Author |
樊雪崧 (著)=Fan, Xue-song (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.1 (總號=n.173) |
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| Date | 2019 |
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| Pages | 36 - 43 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者機構：敦煌研究院美術研究所 |
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| Keyword | 莫高窟=Mogao Grottoes; 須大拏本生=Sudāna Jataka; 《太子須大拏經》=Prince Sudāna Sutra; 《毗輸安呾啰王子本生史譚》=Vessantara Jataka |
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| Abstract | 根據壁畫榜題痕跡,對敦煌莫高窟第419窟須大拏本生圖中約50處情節進行了重新整理。針對圖像中新發現的幾處線索,參考南傳本生經,推測在《太子須大拏經》之外,此圖很可能還受到某些部派佛典或圖像的影響,個別僅出現於敦煌的畫面應是本地畫師的獨特創制。敦煌須大拏圖像中普遍缺失"布施妻子"的畫面,應是石窟營造者在引入外來佛教文化時,為避免某些可能發生的觀念沖突而捨棄所致。
Based on traces from an accompanying inscribed cartouche, this paper reorganizes nearly 50 plots found in images of the Sudāna Jataka in Mogao cave 419. In the light of several newly discovered clues regarding this illustration, and by reference to the Jatakas from the Pali Canon, the author conjectures that the images of Sudāna in Dunhuang were most likely influenced by the scriptures or images of certain early Buddhist schools,and that a few detailed images found only in Dunhuang art were a unique creation of local artists. From the general absence of the image of "giving his wife" in the illustrations of Dunhuang it is conjectured that this theme was omitted by the cave-makers in order to avoid ideological conflicts when introducing foreign Buddhist culture. |
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| Table of contents | 一 第419窟須大拏本生圖中的幾處新線索 37
1.國王賞賜婆羅門和婆羅門倒斃 38
2.“過化城”或者“枝提國” 39
3.曼坻採食、運水 40
4. 婆羅門問路 40
二 缺失的畫面:布施妻子 41
三 結語 43 |
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| ISSN | 10004106 (P) |
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| Hits | 301 |
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| Created date | 2020.11.04 |
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