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敦煌佛爺廟灣唐代模印塑像磚墓(四) - 從模印胡商牽駝磚看絲路交通中的有關問題=A Study on the Tang Dynasty Brick Tombs with Impressed Statues or Motifs at the Foyemiaowan at Dunhuang (Ⅳ) - Impressions of the Silk Road Based on Bricks with the Motif of a Non-Chinese Merchant Leading a Camel
Author 戴春陽 (著)=Dai, Chun-yang (au.)
Source 敦煌研究=Dunhuang Research
Volumen.5 (總號=n.177)
Date2019
Pages19 - 33
Publisher敦煌研究編輯部
Publisher Url http://www.dha.ac.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者單位:敦煌研究院編輯部
Keyword胡商牽駝塑像磚=bricks with an impressed motif of a non-Chinese merchant leading a camel; 胡=hu (non-Chinese); 粟特胡商=Sogdian merchants; 胡服=non-Chinese costumes; 壁畫與牽駝磚上的絲路世界=Silk Road depicted in murals and impressed on bricks
Abstract敦煌佛爺廟灣唐代模印磚墓中胡商牽駝,是唐代北方地區非常流行的題材,而敦煌模印磚不僅展現了造型特徵鮮明的胡商形象,還匠心獨運地以不同形式的馱囊表現了胡商於絲路東進西出過程中所攜的不同商品。本文梳理了文獻中"胡""胡商"在不同歷史時期的內涵變化、粟特早期歷史概況和牽駝胡商的民族屬性,以及粟特胡服對唐代中原地區服飾文化的影響。在與敦煌壁畫胡商相關圖像的比較中,可以發現敦煌唐墓模印胡商牽駝磚更貼近絲路胡商的真實生活場景。兩者的差異,應是敦煌地區居民生活中的世俗化與前者佛光氤氳的宗教使命的本質區別使然。

The motif of a non-Chinese merchant leading a camel impressed on the bricks from Foyemiaowan at Dunhuang was a very popular theme in north China in the Tang dynasty. These bricks depict not only non-Chinese merchants in distinct features, but also the different goods that were transported in various containers along the Silk Road. This paper examines the changes in connotation of the words "hu(nonChinese)" and "hushang(non-Chinese merchants)" in historical documents, the early history of the Sogdians, the ethnic identities of the non-Chinese merchants pictured leading camels, and the influence of Sogdian costumes on clothing in the Central Plains during the Tang dynasty. A comparison of this motif with images of non-Chinese merchants in Dunhuang murals suggests that the depictions printed on the bricks is closer to the actual life and appearance of the non-Chinese merchants, the difference in impression of non-Chinese groups most likely being due to the widespread secularization of the local Dunhuang populace and the strong sense of religious purpose of the Sogdian people.
Table of contents九 胡商牽駝模印塑像磚 20
十 “胡”與“胡商” 21
(一)“胡” 21
(二)胡商 22
十一 入華胡商主體———粟特與有關問題 22
(一)粟特概說 22
(二)粟特胡商的形貌與服飾 23
十二 模印磚胡商牽駝與敦煌壁畫中的胡商 27
ISSN10004106 (P)
Hits211
Created date2020.11.09
Modified date2020.11.09



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