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未竟的示寂：敦煌西千佛洞第8窟涅槃圖新探=Unfinished Silence: A New Study on the Nirvana Scene in Cave 8 of the Western Thousand-Buddha Grottoes at Dunhuang |
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| Author |
樊雪崧 (著)=Fan, Xue-song (au.)
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殷博 (著)=Yin, Bo (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.177) |
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| Date | 2019 |
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| Pages | 34 - 42 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：南京藝術學院美術學院；敦煌研究院美術研究所 |
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| Keyword | 敦煌西千佛洞=Western Thousand-Buddha Grottoes in Dunhuang; 敦煌石窟=Dunhuang caves; 北周佛教=Buddhism of Northern Zhou dynasty; 涅槃圖=nirvana scene; 部派思想=sectarian Buddhist thought |
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| Abstract | 敦煌西千佛洞第8窟涅槃圖是敦煌石窟北朝時期僅存的兩例涅槃圖之一。本文分析了圖中幾個主要畫面元素,包含此前未被分析的人物形象:梵摩那比丘和最後出家弟子須跋。對於圖中站立於佛前的紅衣老者,本文認為應並非學者此前所推測的醫生耆婆,可以將其解讀為最後皈依佛並以布匹供養佛的在家弟子福貴。西千佛洞第8窟涅槃圖在圖像上多有不同尋常之處,顯示出明顯的早期屬性,應受到以《長阿含經·遊行經》為主的阿含系涅槃經典的影響。在繼承西域傳統的同時,此圖也呈現較強的本土創新力,是東西方文化在敦煌融合與創新的珍貴例證。
The nirvana scene in cave 8 of the Western Thousand-Buddha Grottoes is one of the only two surviving examples of this motif in Dunhuang caves from the Northern Zhou dynasty. This paper analyzes the main elements in this painting and identifies two figures who have not been noticed before: Bhikkhu Upavā a and Subhadda. As for the old man in red standing in front of Buddha, this research does not concur with previous scholars who identify him as the physician Jivaka jiva, instead proposing that this is the lay Buddhist Pukkusa offering cloth to the Buddha. In addition to the identities of these central figures, this research has detected several unusual features that are connected to sectarian Buddhist thought, many of which were mainly based on the Dirghagama. While inheriting the tradition of the Western Regions, the style and content of this painting also indicates obvious local innovation, providing researchers with a precious example of the integration of Eastern and Western cultures in Dunhuang. |
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| Table of contents | 一 問題的提出 35
二 主要圖像元素分析 35
1. 佛陀臥姿 36
2. 佛陀身光 36
3. 佛陀側臥之處 37
4. 佛陀後方的舉哀眾（圖2) 38
5. 覆頭禪坐者（圖4) 38
6. 佛陀左側的站立比丘（圖5) 39
7. 佛陀身前的紅衣老者（圖6) 39
三 西千佛洞涅槃圖的特點 41
1. 圖像上的早期屬性及與西域圖像的繼承關係 41
2. 與《長阿含經》聯繫較為緊密 41
3. 本地化的影響和創新性 41
4. 未完成性 42
四 結語 42 |
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| ISSN | 10004106 (P) |
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| Hits | 210 |
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| Created date | 2020.11.09 |
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