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龜茲石窟中的回鶻風格石窟問題=About the Uyghur Style Caves of Kucha |
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| Author |
李瑞哲 (著)=Li, Rui-zhe (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.177) |
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| Date | 2019 |
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| Pages | 43 - 51 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：西北大學藝術學院 |
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| Keyword | 龜茲回鶻風格石窟=Uyghur style caves at Kucha; 繼承與發展=inheritance and development; 混合性=mixture of Buddhist art styles; 生死輪回圖=image of Naraka |
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| Abstract | 龜茲回鶻風格的石窟是公元9世紀回鶻西遷龜茲後接受漢地文化而形成的,佛教教義方面受到龜茲佛教與安西大都護府時期來自中原佛教思想的影響,大乘佛教尤其是密教的影響較深,出現了地獄變的題材。另外,回鶻風格壁畫與龜茲風格、漢風壁畫在石窟中並存,反映了三種藝術風格在一個石窟中顯現混合性的特點,證明了回鶻風格是在繼承了當地龜茲風格、漢風壁畫的基礎上形成的,並具有回鶻民族自身的審美風尚。
The caves carved in a Uyghur style in Kucha took shape when the Uyghur people migrated to Kuche in the 9 th century and began to absorb Chinese culture via the Central Plains. When Kucha was under the control of the Grand Anxi Frontier Command, the Buddhism of the local Uyghur people came under the influence of both local Buddhist customs and Buddhist thought introduced from the Central Plains, namely Mahāyāna Buddhism. It was especially influenced by esoteric Buddhism( Tantra), which directly resulted in illustrations of Naraka appearing in the caves of Kucha. In addition, paintings in the styles of the Uyghur, Kizil, and Han Chinese people coexisted and mixed in the creation of the caves, which verifies that the Uyghur style observable at Kucha synthesized both local Kizil and Han Chinese styles with its own aesthetic tradition. |
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| Table of contents | 一 回鶻風格石窟的特點 44
二 龜茲回鶻石窟的壁畫風格 46
三 關于龜茲回鶻石窟的地獄圖像 48
四 回鶻風格石窟開鑿的歷史背景 49
結論 50 |
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| ISSN | 10004106 (P) |
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| Hits | 202 |
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| Created date | 2020.11.09 |
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