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也談佛教造像的長安模式=On the Chang’an Model of Buddhist Statues |
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| Author |
韋正 (著)=Wei, Zheng (au.)
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馬銘悅 (著)=Ma, Ming-yue (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.181) |
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| Date | 2020 |
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| Pages | 1 - 13 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：北京大學考古文博學院 |
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| Keyword | 長安模式=Chang’an model; 佛教造像=Buddhist statues; 北周=Northern Zhou |
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| Abstract | 學界對於長安模式的內涵歷來有著不同解讀。文章主張,佛教造像的長安模式確立於北周時期,雖然長安地區北周佛教造像的特徵吸收了其他地區,特別是成都地區南朝造像的因素,但其基本形體特徵來源於北周時期長安本地的自我創造,即比擬了鮮卑顯貴乃至皇帝的形體特徵塑造而成。這與北魏政權崩潰後東西方同時出現的鮮卑化運動直接相關。隋唐時期長安地區佛像亦可稱之為長安模式,但與北周長安模式有著階段性的差異。
Academia has always interpreted the meaning of the Chang’an Model of Buddhist statues in varying ways. This paper argues that the Chang’an model of Buddhist statues was established during the Northern Zhou dynasty. Although the characteristics of Northern Zhou dynasty Buddhist statues in Chang’an absorbed artistic elements from other regions, especially those of the Southern Dynasties statues in Chengdu, the basic physical characteristics of these statues originated in the local culture of the Northern Zhou dynasty. In particular, this style of artistic model focused on representing the physical characteristics of Xianbei’s noble persons and even those of the emperors. This was directly related to the Xianbei movement that appeared in both eastern and western China after the collapse of the Northern Wei regime. The Buddhist Statues in the Chang’an area during the Sui and Tang dynasties can also be said to belong to the Chang’an model, but by this time the model differed significantly from that of the Northern Zhou dynasty. |
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| Table of contents | 一 長安模式內涵的變遷 2
二 北周時期確立長安模式 4
三 長安模式的來源 10
小結 12 |
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| ISSN | 10004106 (P) |
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| Hits | 328 |
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| Created date | 2020.11.11 |
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