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麥積山石窟第12窟窟頂壁畫釋讀=Deciphering the Ceiling Murals in Cave 12 at the Maijishan Grottoes |
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| Author |
張銘 (著)=Zhang, Ming (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.181) |
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| Date | 2020 |
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| Pages | 63 - 70 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：北京大學考古文博學院；敦煌研究院麥積山石窟藝術研究所 |
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| Keyword | 麥積山石窟第12窟=Cave 12 at the Maijishan Grottoes; 涅槃=mahaparinirvana; 鬼子母=Hariti; 揭缽圖="raising the alms-bowl"; 《雜寶藏經》=Sutra of Miscellaneous Jewels |
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| Abstract | 麥積山石窟第12窟開鑿於隋代,窟頂壁畫為明代重繪,主要內容為鬼子母因緣和釋迦牟尼涅槃,其中的揭缽圖是對中土自宋元開始流行的這一圖像的繼承和發展,是麥積山唯一的鬼子母因緣壁畫。
Cave 12 at the Maijishan Grottoes was built in the Sui dynasty. The ceiling murals were repainted in the Ming dynasty and mainly depict the karma of Hariti and the nirvana of Shakyamuni Buddha. The scene of "raising the alms-bowl" in the murals, an image that shows the inheritance and development of the same theme since the Song and Yuan dynasties in the Central Plains, is the only image about the karma of Hariti in the murals of the Maijishan Grottoes. |
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| Table of contents | 一 第12窟窟頂壁畫 64
二 第12窟窟頂壁畫內容考訂 65
三 麥積山第12窟《揭缽圖》的特點 66
四 第12窟窟頂壁畫繪制年代 67
五 第12窟窟頂壁畫組合分析 68
六 明代的麥積山石窟 69
七 結語 69 |
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| ISSN | 10004106 (P) |
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| Hits | 307 |
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| Created date | 2020.11.11 |
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