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四川丹棱石佛灣、佛兒崖石窟中的五十三佛、二十五佛造像及相關問題=On the Statues of the Fifty-Three Buddhas and Twenty-Five Buddhas in the Shifowan and Foerya Grottoes in Danleng, Sichuan |
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| Author |
張亮 (著)=Zhang, Liang (au.)
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賀越洋 (著)=He, Yue-yang (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.183) |
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| Date | 2020 |
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| Pages | 87 - 94 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：四川大學歷史文化學院；西安碑林博物館 |
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| Keyword | 四川丹棱=Danleng in Sichuan; 五十三佛=Fifty-Three Buddhas; 二十五佛=Twenty-Five Buddhas; 佛說觀藥王藥上經=Sutra on the Bhaisajya-Raja(Medicine King) Bodhisattva and Bhaisajya-Samudgata(Medicine Superior) Bodhisattva; 三階教=Three-Stage Sect |
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| Abstract | 四川丹棱石佛灣、佛兒崖兩處石窟均有五十三佛和二十五佛造像,為9世紀上半葉的作品,前者有開成二年(837)、三年(838)的造像紀年。畫面中心雕一佛二菩薩的,據《佛說觀藥王藥上二菩薩經》為藥師、藥王、藥上,據《無量壽經》則為阿彌陀、觀音、勢至。四川地區的五十三佛和二十五佛造像是南北朝造像傳統的延續,與三階教的流傳無關。
Sculptures depicting the themes of the Fifty-Three Buddhas and Twenty-Five Buddhas are carved in both the Shifowan and Foerya Grottoes in Danleng, Sichuan Province that date back to the first half of the 9 thcentury. In addition, the statues at Shifowan have accompanying inscriptions from the second and third year of the Kaicheng era(837, 838). The sculpture of Fifty-Three Buddhas was made according to two sutras popular in Chinese Buddhism since before the Tang dynasty when these statues were constructed. The sculpture evinces the following structural characteristics: the Fifty-Three Buddhas are in the center of the carvings, among which Bhaisajya-guru, Bhaisajya-Raja( Medicine King) Bodhisattva,and Bhaisajya-Samudgata( Medicine Superior) Bodhisattva can be readily identified based on descriptions from Sutra on the Bhaisajya-Raja(Medicine King) Bodhisattva and Bhaisajya-Samudgata(Medicine Superior) Bodhisattva, while the figures of Amitabha, Avalokitesvara, and Mahasthamaprapta can be identified as having been constructed based on the Aparimitayur-sutra.The themes of these sculptures inherited the artistic tradition of the Southern and Northern Dynasties and were not influenced by the spread of the contemporary "Three-Stage Sect" of Buddhism.The themes of these sculptures inherited the artistic tradition of the Southern and Northern Dynasties and were not influenced by the spread of the contemporary "Three-Stage Sect" of Buddhism.The themes of these sculptures inherited the artistic tradition of the Southern and Northern Dynasties and were not influenced by the spread of the contemporary "Three-Stage Sect" of Buddhism. |
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| Table of contents | 一 造像情況 88
（一）石佛灣 88
（二）佛兒崖 89
二 四川地區五十三佛造像的兩個系統 91
三 《藥王藥上經》系統五十三佛造像“一佛二菩薩”身份辨析 92
四 四川地區五十三佛、二十五佛造像的性質 93 |
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| ISSN | 10004106 (P) |
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| Hits | 332 |
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| Created date | 2020.11.13 |
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