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Liuli in Buddhist Rituals and Art in Medieval China=中古中國佛教儀式與藝術中的琉璃
Author Yu, Xin (著)
Source Hualin International Journal of Buddhist Studies
Volumev.1 n.2 Special Issue: Buddhist Arts
Date2018.10
Pages231 - 268
PublisherCambria Press
Publisher Url http://www.cambriapress.com/
LocationNew York, US [紐約州, 美國]
Content type期刊論文=Journal Article
Language英文=English
NoteAuthor Affiliations: Fudan University
Keywordliuli; poli; Seven Treasures; Buddhist rituals; religious practices
AbstractIn Buddhist texts, liuli was considered as one of the Seven Treasures (qibao 七寶). The author investigated all kinds of materials concerning glass: Buddhist scriptures, historical records, Chinese poetries and literatures, stone inscriptions, manuscripts and paintings from the Dunhuang Library Cave, mural paintings in Gansu and Xinjiang, archaeological relics from terrestrial palaces of Buddhist pagodas, tombs and cellars, and focuses on the relationship between liuli and other unearthed remains in a holistic approach to the Seven Treasures, and in the context of Buddhist offerings (treasure offering and perfume offering) and sacred utensils.
The author hopes to cast some new light on the religious function and symbolic meaning of liuli in Buddhist ritual practices, trace the origin of this concept and examine its demonstration in text and art. This paper is a case study intended to develop a comprehensive understanding of ritual texts and religious practices in the using of sacred objects and to rethink the role of material culture in Buddhist history and natural history in Medieval China.
Table of contentsLiuli 琉璃 in the Buddhist Concept of ‘Seven Treasures’ 232
Liuli in Buddhist Belief: Its Function and How It was Expressed in Buddhist Art 240
Liuli and Buddhist Manuscript Culture 252
Conclusion: Treasures and Esoteric Buddhism 258
ISSN25762923 (P); 25762931 (E)
DOIhttps://dx.doi.org/10.15239/hijbs.01.02.09
Hits929
Created date2021.03.23
Modified date2021.03.23



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