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焉耆七個星毗盧遮那佛法界身圖像研究=A Study on Vairocana’s Buddhist Image on the Murals of Seven Star Grottoes in Karasahr
Author 魏文斌 (著)=Wei, Wen-bin (au.) ; 周曉萍 (著)=Zhou Xiaoping (au.)
Source 敦煌學輯刊=Journal of Dunhuang Studies
Volumev.2020 n.1
Date2020
Pages112 - 123
Publisher蘭州大學敦煌學研究所敦煌學輯刊編輯部
Publisher Url http://dhxyjs.lzu.edu.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note魏文斌:蘭州大學敦煌學研究所
周曉萍:蘭州大學敦煌學研究所
Keyword焉耆; 毗盧遮那佛; 法界身; 回鶻
Abstract焉耆地處絲綢之路北道的重要位置,其佛教文化源自印度,后受到龜茲、高昌、于闐、敦煌地區佛教文化的影響,其信仰經歷了由小乘到大乘的轉變。焉耆七個星第一窟的佛法界身像的創作是處在焉耆民族融合、政權更迭、佛教信仰轉型的時期,對其的研究在法界圖像中具有重要的意義,反映了七個星石窟晚期的造像特征。
Table of contents一、焉耆文明與佛教信仰 113
1. 焉耆文明與回鶻西遷 113
2. 回鶻與華嚴信仰 114
二、七個星佛法界身圖像分析 115
1. 圖解與菩薩裝的義學表達 115
2. 個體存在與法界圓融 117
3. “菩薩行”與 “涅槃”組合的法身常駐 117
4. 背光圖像與淵源 118
三、七個星與天山南北兩道佛法界圖像之異同 119
1. 七個星與天山北道法界圖像之關係 120
2. 七個星與天山南道佛法界身圖像之關係 120
四、圖像復原及意義 121
四、結論 123
ISSN10016252 (P); 10016252 (E)
Hits435
Created date2021.06.17



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