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Between Passion and Compassion: The Story of the Stone and Its Modern Reincarnations
Author Ying, Lei (著)
Source Religions
Volumev.12 n.1
Date2021.01
PublisherMDIP
Publisher Url https://www.mdpi.com/
LocationBasel, Switzerland [巴塞爾, 瑞士]
Content type期刊論文=Journal Article
Language英文=English
NoteThis article belongs to the Special Issue Religion and Chinese Literature
KeywordBuddhist literature; The Story of the Stone; Su Manshu; Eileen Chang; Chen Kaige
AbstractThis study reconsiders The Story of the Stone as a literary exemplum of the “Buddhist conquest of China.” The kind of Buddhism that Stone embodies in its fictional form and makes indelible on the Chinese cultural imagination simultaneously indulges in and wavers from the Mahāyāna teachings of the nonduality of saṃsāra and nirvāṇa. The dialectics of truth and falsehood, love and emptiness, passion and compassion, which Stone dramatizes and problematizes, continues to stir the creative impulses of artists in revolutionary and post-revolutionary China. This study features three of Stone’s modern reincarnations. Tale of the Crimson Silk, a story by the amorous poet-monk Su Manshu (1884–1918), recasts at once the idea of Buddhist monkhood and that of “free love” in early Republican China. In Lust, Caution, a spy story by the celebrated writer Eileen Chang (1920–1995), a revolutionary heroine is compelled to weigh the emptiness/truth of carnal desire against the truth/emptiness of patriotic commitment. Decades later, love and illusion dwell again at the epicenter of a fallen empire in the director Chen Kaige’s (b. 1952) 2017 film, The Legend of the Demon Cat, in which an illustrious poet sings testimony to the (un)witting (com)passion of a femme fatale.
Table of contents1. Introduction: Rethinking “Buddhist Literature”
2. Stone and Reading (As) a Buddhist Quest
3. Tale of the Crimson Silk
4. Lust, Caution
5. The Legend of the Demon Cat
6. Conclusions
ISSN20771444 (E)
DOIhttps://doi.org/10.3390/rel12010062
Hits159
Created date2021.11.15
Modified date2023.06.19



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