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飾耳佛像=On Buddha Statues with Earrings |
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| Author |
李靜杰=Li, Jing-jie
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.1 (總號=n.185) |
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| Date | 2021 |
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| Pages | 15 - 28 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：清華大學藝術史論系 |
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| Keyword | 飾耳佛像=Buddha statues with earrings; 四川南北朝隋唐佛像=Buddha statues of the Sui,Tang,Southern and Northern Dynasties in Sichuan; 南詔大理國佛像=Buddha statues of the Nanzhao and Dali kingdoms |
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| Abstract | 飾耳佛像系漢文化地區特有的文化現象，創始於成都約南梁晚期，發展千有余年。四川為飾耳佛像首要發展區域，數量多且比較集中，南北朝晚期從川中波及到川北地區，初盛唐時期在川北地區獲得較大發展，桃形耳環流行成為共同區域特征。其他地方飾耳佛像數量少又極其分散，流行於唐宋時期，其中南詔大理國實例與四川有所關聯。飾耳佛像中最初和少許特殊實例，可能具有釋迦佛為教化眾生示現穿耳意涵，絕大多數實例則是相因成習表現，目的在於塑造別致的造型風貌。
Statuary of the Buddha with earrings is a unique cultural phenomenon of Buddhism influenced by Han Chinese culture that originated in the later period of the Southern Liang dynasty in Chengdu and continued to develop for more than a thousand years. Sichuan is the primary area for the development of this style of statue, where the popularity of peach-shaped earrings used to decorate the Buddha became a widely recognized regional feature of Buddhist statuary from the area. From middle Sichuan, this style spread to north Sichuan in the late Northern and Southern Dynasties where it eventually obtained greater development during the early Tang dynasty. The number of Buddha statues with earrings in other places in China is extremely limited, though some have been recovered from archaeological sites of the Nanzhao and Dali kingdoms, though these statues also exhibit a clear influence of the Sichuan style. The first truly unique examples of Buddha statues made with decorated ears may have been constructed in such a way as to indicate that Buddha Sakyamuni pierced his ears to exhort all beings to seek enlightenment. The later development of this style, however, occurred as a matter of course related to various causes and was aimed primarily at achieving a unique aesthetic style. |
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| Table of contents | 一 四川飾耳佛像 17
1. 川中南梁至隋代單體造像 17
2. 川北北周隋代單體造像與摩崖造像 18
3. 川北初唐前段摩崖造像 19
4. 川北初唐後段至盛唐摩崖造像中飾耳佛像 22
5. 川東盛唐與川中明朝石窟造像 23
二 其他地方飾耳佛像 24
1. 關中初唐後段石窟造像 24
2. 南詔大理國單體造像 24
3. 宋金石窟與單體造像 25
三 餘論 26 |
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| ISSN | 10004106 (P) |
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| Hits | 161 |
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| Created date | 2022.02.16 |
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| Modified date | 2022.02.16 |
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