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光與色的旋律——敦煌隋代壁畫裝飾色彩管窺=The Melody of Light and Color——On the Decorative Colors in the Sui Dynasty Murals of Dunhuang |
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| Author |
趙聲良 (著)=Zhao, Sheng-liang (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.3 (總號=n.187) |
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| Date | 2021 |
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| Pages | 1 - 12 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：敦煌研究院 |
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| Keyword | 敦煌=Dunhuang; 隋朝=Sui dynasty; 色彩=color; 裝飾=decoration; 壁畫=mural |
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| Abstract | 自古以來,人類在造型藝術中就沒有停止對光的表現,以圓環形、放射形、火焰形來表現光,是人類藝術發展中共同形成的經驗。在隋朝的敦煌壁畫中,畫家對佛光的效果進行了多方面的探索,以大面積的火焰紋表現佛背光及龕楣,形成宏大的氣勢,以色彩的細膩變化表現奇妙的光感,充分體現了隋朝畫家旺盛的創造力。
From time immemorial, the art created by humans the world round has represented light in the plastic arts through depictions of rings, beams and flames. In the murals at Dunhuang from the Sui dynasty, the painters explored the effects of the light radiating from the body of Buddha with great energy and from various perspectives. Subtle changes of color were used to create wonderful senses of light in Sui dynasty art, the effects of which are made particularly vivid by the large flame patterns that were used in various niches to highlight the force and awe exuded by the aura radiated by the Buddha. These techniques exemplify the strong creativity of the painters of the Sui dynasty
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| Table of contents | 一 古代藝術中對光的表現探源 1
二 敦煌早期壁畫中的佛光 5
三 隋朝佛光錶現的成就 7
1. 火焰紋的大面積表現 7
2. 忍冬紋及植物紋樣逐步占主導地位 8
3. 以色彩的變化來表現光 9
四 小結 12 |
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| ISSN | 10004106 (P) |
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| DOI | 10.13584/j.cnki.issn1000-4106.2021.03.001 |
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| Hits | 217 |
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| Created date | 2022.02.18 |
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| Modified date | 2022.02.18 |
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