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論木刻雕版印刷術在西藏的發展及其影響=The Development and Influence of Wood Engraving Printing in Tibet |
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蘇發祥 (著)=Su, Fa-xiang (au.)
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| Source |
中央民族大學學報(哲學社會科學版)=Journal of the Central University for Nationalities(Philosophy and Social Sciences Edition)
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| Volume | v.44 n.4 (總號=n.233) |
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| Date | 2017 |
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| Pages | 115 - 122 |
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| Publisher | 中央民族大學期刊社 |
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| Location | 北京, 中國 [Beijing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：中央民族大學民族學與社會學學院 |
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| Keyword | 西藏=Tibet; 雕刻藝術=carving art; 藏紙=Tibetan paper; 木刻雕版=wood engraving; 藏傳佛教知識=knowledge of Tibetan Buddhism |
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| Abstract | 由於藏文的創制使用,雕刻藝術的日臻成熟和藏紙的發明,公元15世紀初,木刻雕版印刷術從內地一經傳入西藏就得以迅速普及,並對藏傳佛教知識的生產和傳播產生了很大影響。此外,大量佛教典籍的刻印和流通也成為溝通內地和西藏、藏族與其他兄弟民族間文化交流的紐帶。因此,無論從科技史,還是文化發展史的視角,木刻雕版印刷術在西藏的應用都具有劃時代的意義。
Because of the creation and application of Tibetan language,the gradual development of carving art,and the invention of Tibetan paper,when wood engraving printing was introduced from the hinterland into Tibet in the early 15 th century,it soon became very popular and had a great influence on the production and spreading of the knowledge of Tibetan Buddhism. In addition,the printing and circulation of a large number of Buddhist classics also functioned as communicational ties between the hinterland and Tibet as well as the ties of cultural communication between Tibetans and other ethnic groups. Therefore,the application of wood engraving printing in Tibet is of epoch-making significance in both the history of science and technology and the history of cultural development. |
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| Table of contents | 一、西藏雕刻藝術和藏紙 115
(一) 西藏雕刻藝術的起源和發展 115
(二) 藏紙的發明及其應用 116
二、巴康的興建及藏文大藏經的刻印 117
三、木刻雕版印刷術在西藏的影響 120
四、結語 121 |
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| ISSN | 10058575 (P) |
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| DOI | 10.15970/j.cnki.1005-8575.2017.04.014 |
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| Hits | 133 |
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| Created date | 2022.05.05 |
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