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論北魏時期飛天造像審美風格的演變=The Stylistic Evolution of the Image of the Flying Figure in the Northern Wei Dynasty |
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李梅 (著)=Li, Mei (au.)
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| Source |
中國文化研究=Chinese Culture Research
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| Volume | n.3 |
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| Date | 2018 |
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| Pages | 129 - 138 |
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| Publisher | 北京語言文化大學 |
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| Location | 北京, 中國 [Beijing, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：浙江理工大學中國美學與藝術理論研究中心 |
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| Keyword | 北魏=The Northern Wei dynasty; 飛天造像=the flying image; 審美風格=stylistic evolution; 漢化=Sinonization |
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| Abstract | 北魏時期飛天藝術審美風格的嬗變是中國佛教造像藝術審美範式形成的典型代表和關鍵階段。以北魏時期飛天藝術形象的形成和發展為切入點,探討飛天形象的傳播進程和特點,從造型、服飾、色彩、構圖形式等方面全面闡述北魏時期飛天藝術風格的審美意涵,有利於更深入地探究飛天藝術風格在北魏早期和中晚期審美範式的變遷過程。中國佛教造像藝術的傳播與發展,多源文化的互滲與交融,時代精神的塑造與追求合力推動了北魏飛天藝術風格的審美中心轉移和時空上的雙重性演變。
This paper discusses the artistic formation and development of the flying image in the Northern Wei dynasty, focusing on the changes of modelling, clothing, color,composition form,analyzing the changes of the aesthetic pattern of the flying image in early and middle Northern Wei dynasty. It points out that communication and development of Buddhist ideas and the statuary art,the integration of multicultural creation in the Northern Wei dynasty jointly promoted the aesthetic shift in space and time. |
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| Table of contents | 一 130
二 132
三 135
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| ISSN | 10053247 (P) |
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| DOI | 10.15990/j.cnki.cn11-3306/g2.2018.03.012 |
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| Hits | 158 |
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| Created date | 2022.05.06 |
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