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パーリ律における唱誦=Recitation in Pali Vinaya Texts |
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| Author |
平林二郎 (著)=Hirabayashi, Jiro (au.)
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| Source |
印度學佛教學研究 =Journal of Indian and Buddhist Studies=Indogaku Bukkyōgaku Kenkyū
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| Volume | v.70 n.1 (總號=n.155) |
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| Date | 2021.12.20 |
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| Pages | 485 - 481 |
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| Publisher | 日本印度学仏教学会 |
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| Publisher Url |
http://www.jaibs.jp/
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| Location | 東京, 日本 [Tokyo, Japan] |
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| Content type | 期刊論文=Journal Article |
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| Language | 日文=Japanese |
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| Keyword | パーリ律; 唱誦; 読誦; 唱誦比丘; uddisati; sajjhāya; sarabhāṇaka |
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| Abstract | This paper examines the terms uddisati, saṃgāyati, sajjhāya- and bhaṇati (sarabhañña-) used in Pali Vinaya texts to elucidate the contexts of recitation in early Buddhism. In Pali Vinaya texts, the term uddisati is generally used when Buddhist monks recite the Pātimokkha. On the other hand, the term saṃgāyati is used in scenes where the suttantas are chanted by Buddhist monks one by one. Although the term uddisati generally means to ‘point out’ or ‘to show,’ it connotes repeating the Pātimokkha aloud to learn （sajjhāya-） in Pali Vinaya texts. In the Saṃghabhedakkhandhaka, the term sajjhāya- appears where Buddhist monks recite some mantras or sūtras. This action implies a protection of the Lord （bhagavat） by showing that there are many Buddhist monks around Him. The Sattasatikakkhandhaka refers to the sarabhāṇaka bhikkhu, who specializes in reciting Pali Vinaya texts, etc., in the Buddhist monastic order （saṃgha）. |
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| Table of contents | はじめに 485
1．パーリ律に見られる uddisati とその派生語 485
1.1. 「大品」（Mahāvagga）に見られる uddesa- の用例 485
2．パーリ律に見られる uddisati とその派生語の意味 484
2.1. 「経分別」（Suttavibhaṅga）に見られる uddisati の意味 484
3．パーリ律に見られる sajjhāya- の用例 484
3.1. 「小品」（Cullavagga）に見られる sajjhāya- の用例 484
4．パーリ律に見られるその他の唱誦 483
4.1. 「経分別」に見られる saṃgāyati- の用例 483
4.2. 「小品」に見られる sarabhañña- の用例 483
5．小結 482 |
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| ISSN | 00194344 (P); 18840051 (E) |
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| DOI | https://doi.org/10.4259/ibk.70.1_485 |
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| Hits | 82 |
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| Created date | 2023.01.06 |
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| Modified date | 2023.01.06 |
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