 |
|
|
|
|
|
|
飛田周山旧蔵『注涅槃経』について=The Zhu Niepan jing 注涅槃経in Hida Shūzan’s Collection |
|
|
|
| Author |
青木佳伶 (著)=Aoki, Chialin (au.)
|
|---|
| Source |
印度學佛教學研究 =Journal of Indian and Buddhist Studies=Indogaku Bukkyōgaku Kenkyū
|
|---|
| Volume | v.70 n.2 (總號=n.156) |
|---|
| Date | 2022.03.23 |
|---|
| Pages | 729 - 734 |
|---|
| Publisher | 日本印度学仏教学会 |
|---|
| Publisher Url |
http://www.jaibs.jp/
|
|---|
| Content type | 期刊論文=Journal Article |
|---|
| Language | 日文=Japanese |
|---|
| Keyword | 飛田周山; 『注涅槃経』; 韋諗; 古写経; 唐代 |
|---|
| Abstract | Hida Shūzan飛田周山 （1877-1945） was a modern Japanese painter and a student of Okakura Tenshin 岡倉天心 （1862-1913）. Like Okakura, Hida also had an aesthetic eye and had a valuable collection of old Japanese manuscripts. The oldest in the collection are from the Nara period.
In an art magazine called Zokei Geijutu 造形芸術 published in 1940, Hida introduced his collection with photographs and commentary. The collection includes the Zhu Niepan jing 註涅槃経, but unfortunately there is no information about its author.
In this article, I examine the characteristics from the photograph of the Zhu Niepan jing in Hida’s collection, and reach the conclusion that there is a good possibility that this belongs to the series of the Tang prefectural govenor Wei Shen韋諗 （early 8th c.） copied in the Nara Tempyō period. |
|---|
| Table of contents | 一 はじめに 729
二 書写形式 730
三 『造形芸術』に掲載された『注涅槃経』 730
(一) 翻刻．訓読 730
(二) 『大正蔵』『涅槃経』との比較検討 731
(三) 経文について 731
(四) 注釈について 732
四 結論 733 |
|---|
| ISSN | 00194344 (P) |
|---|
| DOI | https://doi.org/10.4259/ibk.70.2_729 |
|---|
| Hits | 89 |
|---|
| Created date | 2023.01.09 |
|---|
| Modified date | 2023.01.09 |
|---|
 |
Best viewed with Chrome, Firefox, Safari(Mac) but not supported IE
|
