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三件新出犍陀羅浮雕造像述論=On Three Newly Discovered Gandharan Reliefs |
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| Author |
李静傑 (著)=Li, Jing-jie (au.)
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何平 (著)=He, Ping (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.189) |
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| Date | 2021 |
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| Pages | 34 - 47 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 李静傑，清華大學 藝術史論系
何平，清華大學 巴基斯坦文化傳播研究中心 |
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| Keyword | 犍陀羅=Gandhara; 涅槃與彌勒組合浮雕=relief of Nirvana and Maitrey; 舍衛城神變浮雕=relief of Prātihārya in Sravasti; 佛塔假門浮雕=relief of false gate of astupa |
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| Abstract | 新近面世的涅槃與彌勒組合浮雕、舍衛城神變浮雕、佛塔假門浮雕，在幾個重要問題點上改變了人們以往
對犍陀羅文化的認知。 證實涅槃與彌勒圖像組合及其象征的末法與傳法思想，以及雙神變與大神變合成的舍衛城神變圖
像率先出現在犍陀羅中心地區，佛塔假門則是中印度與西北印度佛教文化的巧妙結合。 進而反映了吸收中印度、希臘羅馬
文化因素，並影響中亞、西域文化的情況。
The recently discovered three reliefs respectively with the themes, Nirvana and Maitreya, Prātihārya in Sravasti,
and false gate of a stupa, have changed people’s previous understanding of Gandhara culture in several important aspects. It is
confirmed that the image combination of Nirvana and Maitreya and their symbolic ideas of the decline and inheritance of dharma, as well as the yamaka-prātihārya and the mahāprātihārya which formed the prātihārya in Sravastifirst appeared in the central
area of Gandhara, and the false gate of a stupa is a clever combination of Buddhist culture from central India and northwest India.
Thus it reflects how it absorbed the cultural elementsfrom central India, Greece and Rome, and influenced the culture of Central
Asia and the Western Regions. |
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| Table of contents | 一 涅槃與彌勒組合浮雕造像 35
（一）浮雕板情況與造像內容 35
（二）與周邊地區文化的聯系 36
二 舍衛城神變浮雕造像 37
（一）浮雕板情況 37
（二）造像特征與內容 38
（三）造像的時代與地域風格 40
（四）與周邊地區文化的聯系 41
三 佛塔假門浮雕造像 42
（一）假門浮雕情況 42
（二）造像內容 44
（三）與周邊地區文化的聯系 45
四 小結 47 |
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| ISSN | 10004106 (P) |
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| Hits | 114 |
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| Created date | 2023.04.06 |
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| Modified date | 2023.04.06 |
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