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敦煌壁畫與中國傳統藝術精神=Dunhuang Wall Paintings and Chinese Traditional Art Spirit |
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| Author |
趙聲良 (著)=Zhao, Sheng-liang (au.)
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| Source |
敦煌研究=Dunhuang Research
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| Volume | n.5 (總號=n.195) |
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| Date | 2022 |
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| Pages | 58 - 68 |
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| Publisher | 敦煌研究編輯部 |
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| Publisher Url |
http://www.dha.ac.cn/
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| Location | 蘭州, 中國 [Lanzhou, China] |
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| Content type | 期刊論文=Journal Article |
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| Language | 中文=Chinese |
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| Note | 作者單位：敦煌研究院 |
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| Keyword | 敦煌=Dunhuang; 壁畫=wall painting; 中國=China; 藝術=art; 精神=spirit |
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| Abstract | 本文從以下三個方面討論敦煌壁畫中體現的中國傳統藝術精神：一、敦煌壁畫借助佛教的內容，展現時代社會的歷史場面，反映了當時人們對現實社會的認識和思考；二、具備萬物的包容精神，綜合表現人物與山水、建筑等景物，體現著以大觀小的視覺特征，體現出宏大雄強的視覺沖擊力；三、敦煌壁畫較完整地體現了傳統繪畫“六法”（氣韻生動，骨法用筆，應物象形，隨類賦彩，經營位置，傳模移寫）的精神。
This paper discusses Chinese traditional art spirit embodied in Dunhuang wall paintings from three aspects：1）
Dunhuang wall paintings exhibit historical scenes of the society by the aid of Buddhist contents, and reflects how people understood and thought about the real society at that time; 2）Dunhuang wall paintings are all inclusive. They comprehensively represent people and scenes like landscapes and architecture, which are characteristic of scattered perspective and create grand and
powerful visual impact; 3）Dunhuang wall paintings reflect the spirit of “six laws”of Chinese traditional painting, which include
living spirit and charm, strength of strokes, vividness, proper coloration, rational composition, and accurate copying. |
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| Table of contents | 一注重藝術的社會功能
二具備萬物的宏大視野
三傳統繪畫“六法”思想的完美體現
(1）氣韻生動
(2）骨法用筆
(3）應物象形
(4）隨類賦彩
(5）經營位置
(6）傳模移寫
小結 |
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| ISSN | 10004106 (P) |
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| DOI | 10.13584/j.cnki.issn1000-4106.2022.05.003 |
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| Hits | 52 |
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| Created date | 2023.04.17 |
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| Modified date | 2023.04.17 |
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