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莫高窟第428窟影塑千佛相關問題考述=A Study on the Clay-Molded Thousand Buddhas in Mogao Cave 428
Author 陳培麗 (著)=Chen Peili (au.) ; 寧強 (著)=Ning, Qiang (au.)
Source 敦煌研究=Dunhuang Research
Volumen.1 (總號=n.197)
Date2023
Pages56 - 64
Publisher敦煌研究編輯部
Publisher Url http://www.dha.ac.cn/
Location蘭州, 中國 [Lanzhou, China]
Content type期刊論文=Journal Article
Language中文=Chinese
Note作者單位:
蘭州大學敦煌學研究所
北京外國語大學藝術研究院
Keyword莫高窟第428窟=Mogao cave 428; 影塑千佛=clay-molded statues of the Thousand-Buddhas; 三世三千佛=Three Thousand Buddhas in the Three Ages; 禪觀與禮拜=meditation and worship
Abstract千佛在敦煌早期石窟的各類題材所占壁面比例中居于首位,是敦煌早期石窟藝術中十分興盛的題材。莫高窟第428窟四壁上層保存了敦煌石窟中最多的影塑千佛,有1485身,它們按照一定的排列組合方式精心制作而成。該影塑千佛與西壁五塔圖中央大塔上層的白衣佛構成三世三千佛,其在第428窟中的造作與北朝時期僧尼坐禪觀像和僧俗信眾禮拜供養三世三千佛的活動有密切關系。

The Thousand-Buddha motif was a very popular theme in Buddhist art that appears more than almost any other
theme in early Dunhuang caves in terms of wall surface used to paint murals and house statuary. There are 1, 485 molded small
Buddhas stuck to the upper part of the four walls of Mogao cave 428, the largest amount used to express the Thousand Buddhas
motif in any of the Dunhuang caves, all of which were designed according to specific patterns of combination. Together with the
illustration of Buddha in a white cassock on the upper level of the large central pagoda in a painting of the Vajrasana Pagoda on
the west wall of the cave, this set of artworks combine to form the Three Thousand Buddhas in the Three Ages. The appearance
of this theme in Mogao cave 428 was closely related to the activities of both monastic and secular practitioners paying attribute to
the Three Thousand Buddhas in the Three Ages, and to the meditation and image-worshiping practices of Zen monks in the
Northern Dynasties.
Table of contents一引言
二布局
三構成
四性質
五功能
ISSN10004106 (P)
DOI10.13584/j.cnki.issn1000-4106.2023.01.013
Hits45
Created date2023.04.17
Modified date2023.04.17



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